Begins to produce large pen and ink architectural designs filled with utopian images in 1935. Symbolically represents people that he knows as monumental buildings, many to indicate the metamorphosis these individuals would undergo after death.

At the beginning of the twentieth century, Adolf Wölfli, a former farmhand and laborer, produced a monumental, 25,000-page illustrated narrative in Waldau, a mental asylum near Bern, Switzerland. Through a complex web of texts, drawings, collages and musical compositions, Wölfli constructed a new history of his childhood and a glorious future with its own personal mythology. The French Surrealist André Breton described his work as "one of the three or four most important oeuveres of the twentieth century".