| At the National Gallery’s “Arcimboldo, 1526-1593: Nature and Fantasy” it’s easy enough to see why the Surrealists adopted this quirky artist (who had been more or less obscure since his death). Dalí and Magritte picked up on the uncanniness of his main conceit, building heads out of other body parts and bits of the landscape. Man Ray made a direct homage in paint to the gnarled-branch face of Arcimboldo’s “Winter.” Alfred Barr, the founding director of the Museum of Modern Art, included Arcimboldo in a 1936 show called “Fantastic Art, Dada and Surrealism.”
|
return to: /artifax |
"...ageback/52490/?/ Content-Length: 0 Connection: close Content-Type: text/html; charset=ISO-8859-1 ..." |