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Sunday, Aug 04, 2002

color field

technicolor
jhno
colorfilter

whistle stop

benett

proud airy

i am a robot and proud
printed circuit
figurine

moon rivulet

mooney suzuki

band its

yeah yeah yeahs
the liars
nina nastasia
the black heart procession
soledad brothers
her space holiday

Friday, Aug 02, 2002

shooting craps

"LAS VEGAS, July 30 � After voting two years ago to ease state drug laws, Nevada voters could go even further this year, making their state the first to legalize marijuana and derive taxes from a regulated sales system."

Tuesday, Jul 30, 2002

candygram

FRI 8/2 - SUMMERSQUASH MEADE PRESENTS THE ISLE OF DOGS FESTIVAL #1 Including Reservoir, The Naysayer, Kendall Meade (Mascott) Dave Derby, Phoebe Summersquash, Jud Ehrbar and Rainy Orteca.
8:00 RESEVOIR
9:00 THE NAYSAYER
10:00 SUMMERSQUASH MEADE"

made in the shade

"This is record number three for Greg Weeks, and the one that's really finally gotten our attention. His previous disc on Ba Da Bing! was a stripped down, boy-and-his-guitar folky singer-songwriter kinda record, and while he is still essentially playing folk music, on "Awake Like Sleep" he has begun to experiment with electronics and synthesizers resulting in a sound completely alien but warm and familiar at the same time: a sort of lilting chamber folk with electro-baroque flourishes, reminiscent of sixties and seventies folk-rock bands from England."

magnum force

"Finally in stock, the long awaited solo acoustic live set by Neutral Milk Hotel's beloved Jeff Mangum, about whom I simply cannot be objective -- the two NMH records *still* make me cry everytime I listen to them, they're that lovely and touching and brilliant. This 1997 concert was performed in an Xmas-light-filled room with an occasional baby enthusiastically chiming in alongside Mangum's super earnest vocal delivery. If you've ever seen Neutral Milk Hotel in concert, you already know that Jeff will deviate often from the recorded versions of his music, sometimes stretching out a multi-note wail for much longer, sometimes speeding up or changing a rhythm. That's what makes this live disc worth it -- for the variations he introduces, super sweet but just different enough to keep it fresh for those of us who have listened to the two NMH records hundreds of times already."

deer droppings

"Gosh. What can I say? This is absolutely the finest moment of Deerhoof's recorded output. At 34 minutes, there is absolutely no filler on Reveille: it is an astonishingly precise and accomplished half hour of some of the most challenging, interesting avant-rock we've heard in a long long time. Jeff loves this album so much he almost started a record label just to put it out! The local trio of Satomi Matsuzaki, John Dieterich and Greg Saunier are old school; you can hear in their music the lessons they learned from vintage Bay Area weirdos like the late great Thinking Fellers Union Local 282 and Caroliner, and from the famously avant garde Mills College music program -- all of which have resulted in a great, eccentric band whose aesthetic is fully formed, mature and confident. Satomi's light, singsong vocal delivery (similar to Boredoms' Yoshimi, Blonde Redhead, Yoko Ono) careens from stereo left to stereo right, a dose of melody and almost j-pop sweetness that plays perfectly against the macabre repeating guitar lines and the great, unpredictable, muscular drumming. Sudden stops and starts punctuate eight minute songs against one minute collages of noisy audio squiggles. Much like the Thinking Fellers did, Deerhoof juxtaposes melodic passages against weighty, distorted guitar a la Sonic Youth; they rarely descend to all-too-easy verse/chorus/verse trad songwriting, yet amazingly enough the album is quite accessible. Experimental music that everyone can enjoy. Wonderful. This record is perfection."

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