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Somebody In Boots
I was getting in a little weed eating before it rains again. The other day the Pentecostals cut the weeds on the part of the L that is visible from their church but not the part that runs next to me. I sometimes let their slovenly behavior influence me to be messy too, as it seems silly to cut my few little weeds when they've got this veritable jungle growing up next to me. If I called and complained they'd probably come mow things down but then I wouldn't have anything to write about.
There is some, uh, urban-type activity in one of the houses across from me, and today while pausing in my weed massacre, one of the gentleman who is part of a newer crowd over there came up and offered to sell me a car battery for ten dollars. I said no thanks I really don't need one and then thought how funny it would be if this guy came in the night and stole my battery so that I would need one. And then I thought maybe this is the guy who did steal my battery many many months ago. So I thanked him for asking, real polite, as an effort to dissuade the gods of irony from making another funny thing happen to me. From across the street before going back inside, the fella said--seven dollars.
For unknown reasons I haven't lately been able to read much so I was happy to get through the New Yorker short story about the caterers with a kid named Pill who bakes magic bread. I then tried the Louise Erdrich in a previous issue but I couldn't make myself pay attention. So I moved on to the Nelson Algren I had started several weeks ago and had placed the bookmark sixty pages into, after what was possibly the beginning of my current long-running attention deficit. It's his first one, from 1935, Somebody in Boots. It is not an easy read. His working title for the novel had been Native Son, but he changed his mind about it and offered the title to his sometimes pal, fellow Chicagoan, Richard Wright. Wright used it and did pretty well.
Somebody in Boots is like a more hard-core, less political, slightly pornographic, less cheerful version of Grapes of Wrath. The protaganist is a nineteen-year old kid named Cass McKay who is learning the ropes of being a rail riding hobo during the depression, and is in and out of whore houses, soup kitchens, and jail for most of the hundred pages I have read so far. Last night in thirty pages he was witness/participant in the gang rape of a black woman, then jumping into a moving train at night he lands on the stomach of a pregnant white woman, causing her baby to be still-born; a little bit later, looking for food in a trash can his hand comes out covered in human excrement; and if none of that is bad enough, in a fit of hunger driven hallucinatory lust, he attempts on his own the rape of a young woman who turns out to be a ten-year old child. I can only guess that Algren knew the reader would not recover from that last scene and so Cass snaps out of it at the last moment, and let's the little girl escape. And there is jail rape and one awful thing after another. As I mentioned, it's not an easy read, but in a sense feels necessary. Like If I were paying attention I could learn something useful regarding the graphic horror story that is mankind.