Lorna Mills and Sally McKay
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clockwise from top: "Flutter Nutter" (detail), 2003, "Crushed" (detail), 2004, "Neapolitan Sunset" (detail) 2003
As part of the now disbanded collective, Bucky and Fluff's Craft Factory, Allyson Mitchell has been using this over-the-top artsy-crafty style for awhile, with a blowyourmind, sequins and macramé, girl-positive, glitter-glue and plastic toys, quantity over quality approach that's always been fun but pretty light fare. Now, in The Fluff Stands Alone, Mitchell has focussed that frenetic energy into a really solid body of work. This big, ambitious series of wall hangings and bedspreads reinvents the women of Playboy cartoons as fuzzy, happy, flocked and fun-furred beasts. Mitchell's sense of kittenish play is still here in spades, but the work has taken on a satisfying weight and presence. I resisted the tempation to rub my face on the art, but I'm sure others did not.