Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Happy Victoria Day
James Clark - Count Lavender 1892 Oil on canvas | James Clark - The Thorney Prize Ox 1858 Oil on canvas |
James Clark - Herford Ox 1860 Oil on canvas | J. Loder - Shorthorn Bull 1845 Oil on canvas |
Thomas Weaver - Four Shear Ram 1837 Oil on canvas | R. Whitford - Leicester Ram 1859 Oil on canvas |
And don't forget to enjoy the industrial revolution.
Sacred Harp Music
N.E. Sacred Harp Convention
University of Georgia, Athens
29t Fairfield - Boston Connexion Sacred Harp singing
Dairy Queen Missionary Baptist Sacred Harp Convention
Sacred Harp Kitties (God of Darkness)
"Awake, My Soul: The Story of the Sacred Harp is the first feature documentary about Sacred Harp singing, a haunting form of a cappella, shape note hymn singing with deep roots in the American south. Shape note singing has survived over 200 years tucked away from notice in the rural deep south, where in old country churches, singers break open 'The Sacred Harp', a 160 year old shape note hymnal which has preserved these fiercely beautiful songs which are some of the oldest in America. The film offers a glimpse into the lives of this 'Lost Tonal Tribe' whose history is a story of both rebellion and tradition. The filmmakers, Matt and Erica Hinton spent 7 years documenting this yet largely unknown art form."
(the link above for the documentary's web site has the best sound recordings of this music that I've found since I first heard a Sacred Harp Convention on The Alan Lomax Collection. I fell in love with it because no matter how many bad notes were shrieked out, there were always singers in the chorus that somehow resolved them all)
Movie trailer for "Awake, My Soul: The Story of the Sacred Harp"
I've read that the sources for these weird harmonies are hymns from Restoration England. The BBC did a documentary that includes Sacred Harp called The History of White Gospel that gives a critical look at its roots and its current manifestation as the music of American Evangelical power.