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Lorna Mills and Sally McKay
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Yam Lau & Michael Yuen at The Donkey Institute of Contemporary Art (DICA), Beijing
From DICA Manifesto:
The Donkey Institute of Contemporary Art (DICA) is an initiative dedicated to supporting experimental contemporary art on the back of a donkey. Established in the Beijing summer of 2009, DICA demonstrates a donkey’s spirit of steadfast oblivion. The DICA and the donkey counter all forms of calculated intelligence, promotion and profit making within the market place of contemporary art. They do so with the slowest possible speed, the most idle tactics and wandering work ethics.
Obstinate, dumb and proceeding on blind faith, DICA meanders throughout cities to meet its potential audience, whoever that might be. Yet, DICA makes no claim or appeal for recognition in these encounters. The institute lives by the charm and rhythm that is unique to the donkey’s soul. In this sense, DICA is the most inhuman and radical fulfillment of the avant-garde. It posits an almost complete sort of “standing-still” that refuses to concede to anything.