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 Karen Barad, “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” in Signs: Journal of Women in Culture and Society, vol. 28, no. 3 (2003) p.801 Merlin Donald, “Imitation and Mimesis,” in Perspectives on Imitation, From Neuroscience to Social Science, Vol. 2, Susan Hurley and Nick Chater eds. (Cambridge: MIT Press, 2005) p. 291 |
 Gregory Bateson, Mind and Nature, 1979 |
 Karen Barad, “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” in Signs: Journal of Women in Culture and Society, vol. 28, no. 3 (2003) p.823 Donna Haraway, “Modest_Witness@Second_Millenium” in The Haraway Reader (London & New York: Routledge, 2004) p.246 |
 Bruno Latour, We Have Never Been Modern, translated by Catherine Porter (Cambridge, Mass.: Harvard University Press, 1993) p.18 Bruno Latour interview with Paul Kennedy, CBC Radio's Ideas: How to Think About Science, Episode Five |
 Rosalind Krauss, The Optical Unconscious, (Cambridge, MASS & London: The MIT Press, 1998, c.1993), p.124 Susan Buck-Morss, "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," in October, no. 62 (Fall 1992) p.12 |
 Warren S. Brown, interview with Ginger Campbell, Brain Science Podcast #62 |
 Emma Borg, “If mirror neurons are the answer what was the question?,” in Journal of Consciousness Studies, vol. 14, no. 8 (August 2007) p.8 |
 Homi Bhabha, “Of Mimicry and Man: The Ambivalence of Colonial Discourse,” in October, Vol. 28, Discipleship: A Special Issue on Psychoanalysis, (Spring 1984) p.129 |
 Moxey, Keith, “Visual Studies and the Iconic Turn,” in Journal of Visual Culture, vol.7, no.2 (2008) p.131-32 |
 Steven Brown and Ellen Dissanayake, "The Arts are More than Aesthetics: Neuroaesthetics as Narrow Aesthetics" in Neuroaesthetics, Martin Skov and Oshin Vartanian, eds., (Amityville, New York: Baywood Publishing Company, Inc., 2009) p.54 Georges Didi-Huberman, Confronting Images: Questioning the Ends of a Certain History of Art, John Goodman, trans., (University Park, PA: The Pennsylvania State University Press, 2005), p.16 |
 Bill Nichols quoted by Omer Fast in In Memory: Omer Fast, Sabine Schaschl, ed., (Berlin: The Green Box, Kunst Editionen, 2009) p.149 |
 Marshall McLuhan, War and Peace In the Global Village, 1968, p.175 |
 Mary Midgley, Science and Poetry, (London & New York: Routledge, 2006) p.84 |
 E.H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, (Princeton and Oxford: Princeton University Press, ©1960, 1961, 1969) p.50 |
 Jacques Rancière, The Emancipated Spectator, (London & Brooklyn: Verso, 2009) p.22 Stephen Jay Gould, The Mismeasure of Man, (New York & London: W.W. Norton & Co., 1996) p.36 |
 Marcel Duchamp, quoted by Rosalind Krauss in The Optical Unconscious, (Cambridge, MASS & London: The MIT Press, 1998, c.1993)p.111 |
 Alva Noë, interviewed by Ginger Campbell, in Brain Science Podcast Episode 58 Gerald Edelman, Second Nature: Brain Science and Human Knowledge, (New Haven & London: Yale University Press, 2006) pg.21 |
 Anselm Franke, In Memory: Omer Fast, Sabine Schaschl, ed., (Berlin: The Green Box, Kunst Editionen, 2009) p.85 Bruno Latour, “What Is Iconoclash? Or Is There a World Beyond the Image Wars?” in 2002: Iconoclash. Beyond the Image Wars in Science, Religion and Art, Bruno Latour and Peter Weibel, eds.,: (MIT Press and ZKM Karlsruhe, Germany, 2002) |
9 different people's brains, aligned at the thalamus.
