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Lorna Mills and Sally McKay
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Thanks to B. Smiley for this link Radio Netherlands' Vox Humana series. I just listened to the excellent show about international law. It's only available this week, so catch it soon! Some quotes:
"If there is no public support for a military operation is becomes difficult and in some cases impossible to carry on."
[...]
"Each of us can get a copy of the Geneva Conventions off the Red Cross website. The language is clear. You can be the judge of whether you think violations have been committed, and your opinion can help make or reinforce international law."
[...]
"The Hague Conventions back in the turn of the century, and the Geneva Conventions, have a prinicple of law that is binding on the international community. This legal rule says 'at all times combatants and civilians are protected by principles of law of civilized countries, principles of humanity, and the dictates of the public conscience.' This can be legally relevant in an actual tribunal. Listeners to this broadcast become part of the public conscience as well, and how they may react: letters to the editor or calling in the station or saying 'we think that there are violations,' all of this becomes the backdrop for potential lawsuits."
RM Vaughan wrote about my work in the group show Waypoint in his column for the National Post a couple of weeks ago. He's just posted the piece to his blog. Because of the web component to my project I sent the link out all over the place, and I think that promotion is the reason RM focussed on my work. Please note that there are SEVEN other excellent artists in the show: Scott Berry, Dave Dyment, Karen Henderson, Gwen MacGregor, Paola Poletto, Mitch Robertson, and Laurel Woodcock.
some links:
Cock and Booty show a bio and a slightly out-of-date filmography for Scott Berry at Fever Films
Images Festival where Scott Berry is the new director
0.001 Percent Volume exhibition curated by Dave Dyment at Mercer Union
Superinfinity samplesize project by Dave Dyment and Roula Partheniou
Mecer Union images of an old but excellent installation by Karen Henderson
Royal Road Test post on this blog about a project Karen Henderson collaborated on
La Centrale information on an exhibition by Gwen MacGregor
WADE Gwen MacGregor's horrid/gorgeous blue jello
Digifest where Paola Poletto is director
Who is Paola Poletto? information at kissmachine.org
Mitch Robertson at Robert Birch Gallery
Loch Ness Landscapes project on samplesize by Mitch Robertson
laurelwoodcock.ca
TPW essay about Laurel Woodcock, by Dave Dyment
note: other better links on these artists welcome, send 'em in.
Image from the US Navy Office of Information via Google Images
An article by Geoffrey York in last Saturday's Globe and Mail described a present day backlash against the anti-nuke peace movement, including displays of disrespect for the aging Hiroshima survivors still active as spokespeople. According to the article, "when the survivors joined a peace march in Washington, they were jeered at by passersby who shouted 'Go Home!' and 'Remember Pearl Harbour!" York also makes the point that the "concept of 'ground zero' as the epicentre of the first nuclear blast has been appropriated by New York. Ms Takeoka, an outspoken survivor of Hiroshima is quoted:
Most of those with direct memories of the atomic bomb will pass away in the near future. ... It's a big challenge for us, we are asking the younger generation to carry on our stories. ... People are more interested in the anti-terrorism campaign. The focus has shifted away from nuclear weapons. Of course the war on terrorism is important, but nothing can compare to the horror of a nuclear bomb. ... I feel very sad about the world. I have a feeling that ultimately some country will use nuclear weapons again.
Photograph from Atomic Veterans History Project, taken by Henry Dittmer in October 1945 as his unit
debarked and toured the ruins of Hiroshima.
"A month after the bombings [of Hiroshima and Nagasaki], two reporters defied General MacArthur and struck out on their own. Mr. Weller, of the Chicago Daily News, took row boats and trains to reach devastated Nagasaki. Independent journalist Wilfred Burchett rode a train for 30 hours and walked into the charred remains of Hiroshima."Good stuff via Democracy Now by Democracy Now host, Amy Goodman and fellow journalist David Goodman, who have published an article in the Baltimore Sun describing the trials of journalists attempting to cover the bombing who's reports were dismissed as propaganda and censored outright by the US military. The Goodmans are also calling for the retraction of a Pulitzer Prize awarded to "embedded" New York Times journalist William Laurence:
Mr. Laurence had a front-page story in the Times disputing the notion that radiation sickness was killing people. His news story included this remarkable commentary: "The Japanese are still continuing their propaganda aimed at creating the impression that we won the war unfairly, and thus attempting to create sympathy for themselves and milder terms. ... Thus, at the beginning, the Japanese described 'symptoms' that did not ring true."
Mr. Laurence won a Pulitzer Prize for his reporting on the atomic bomb, and his faithful parroting of the government line was crucial in launching a half-century of silence about the deadly lingering effects of the bomb. It is time for the Pulitzer board to strip Hiroshima's apologist and his newspaper of this undeserved prize.
Sixty years late, Mr. Weller's censored account stands as a searing indictment not only of the inhumanity of the atomic bomb but also of the danger of journalists embedding with the government to deceive the world.
Photographs of Hiroshima from Atomic Veterans History Project.
Richard Feynman's account of atomic explosion from Los Alamos:
Time comes, and this tremendous flash out there , so bright I quickly see this purple splotch on the floor of the truck. I said, 'That ain't it. That's an afterimage.' So I turn back up and I see this white light changing into yellow and then into orange. The clouds form and then they disappear again, the compression and the expansion forms and makes clouds disappear. Then finally, a big ball of orange, the centre that was so bright, became a ball of orange that started to rise and billow a little bit and get a little black around the edges and then you see its a big ball of smoke with flashes on the inside of the fire going out, the heat. I saw all that and all this this that I just described in just a moment, took about one minute. It was a series from bright to dark and I had seen it. ... Finally, after about a minute and a half, there's suddenly a tremendous noise, BANG, and then rumble, like thunder, that thats what convinced me. Nobody had said a word during this whole minute, we were all just watching quietly, but this sound released everybody, released me particularly because the solidity of the sound at that distance meant that it had really worked. The man who was standing next to me said, when the sound went off, "What's that?" I said, 'That was the bomb.'Mr Kima's account of an atomic bomb, from Hiroshima 60 years ago:
From "Los Alamos from Below" by Richard Feynman, published in his collection of essays, The Pleasure of Finding Things Out
“After I noticed the flash, white clouds spread over the blue sky. It was amazing. It was as if blue morning-glories had suddenly bloomed up in the sky. It was funny, I thought. Then came the heat wave. It was very very hot. Even though there was a window glass in front of me, I felt really hot. It was as if I was looking directly into a kitchen oven. I couldn't bear the heat for a long time. Then I heard the cracking sound. I don't know what made that sound, but probably it came from the air which suddenly expanded in the room. [...] The atomic bomb does not discriminate. Of course, those who were fighting may have to suffer. But the atomic bomb kills everyone from little babies to old people. And it’s not an easy death. It's a very cruel and very painful way to die.”
(transcript from from the video Hiroshima Witness produced by Hiroshima Peace Cultural Center and NHK)