|
Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
View current page
...more recent posts
Joe McKay is currently exhibiting his game Avoid in The Aesthetics of Gaming curated by Michelle Kasprzak
at Pace Digital Gallery, 163 William Street, NYC.
Artist's talk: Thurs Feb 26, at 5:00 pm, followed by a reception at 6:00 pm.
Download Avoid
I hope everyone enjoyed a Fruitful Mormon Holiday yesterday.
Now in other business,
posted something about not feeling it enough to write about art these days.
(found)
Sunday - Sergio Méndez
Mas que Nada
Day Tripper
Ye-Me-Li & Wichita Lineman (and pure stair porn)
Tuesday, Feb 17, 2009 at Light Industry - NEW SPACE, 220 36th Street, 5th Floor, Brooklyn, NY
Screen grab from Survival! with Guy Maddin & Greg Klymkiw
"When SHAW cable purchased Winnipeg's local cable station VPW, a rumour was circulated that SHAW had destroyed the public access television archives and were systematically dismantling the public access services. Shortly thereafter, Daniel Barrow began researching, compiling and archiving a history of independently produced television in Winnipeg, Manitoba. In the late '70s and throughout the 80s, Winnipeg experienced a "golden age" of public access television. Anyone with a creative dream, concept or politic would be endowed with airtime and professional production services.
A precedent that went far beyond standard television formula was set in the late '70s when the infamous Winnipeg performance artist Glen Meadmore sat in front of a television camera and silently picked at his acne for 30 minutes each week in a program called The Goofers (later The Glen Meadmore Show). Winnipeg Babysitter traces this and other unique vignettes from a brief synapse in broadcasting history when Winnipeg cable companies were mandated to provide public access as a condition of their broadcasting license. "
(found)