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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Anthony Easton on Jack Bush:
The thing with the Late 60s Bushes (and i saw an amazing one atMiriam SellnikMiriam Shiell today), is that one assumes that tthey are like noland or early stella, in their flatness, but their use of thin washes and subtle underpainting, combines a variety of modes of abstraction--here, with the underpainting of light purple on violet, then the impositon of a hot pink element, grounded onto a obliqued angle/tower of decortative colour--decorative colour that could be on couches or pillows or wallpaper, assumes a number of competing narratives of how to paint non-represenational them, and makes an anthology, that transitions b/w extreme comfort to jarring discord. The one at Sellnik, which is not on their website, does the same thing, but intsead of a collection of disparte elements, was 6 stripes in colours that were both clear and muddy, muted and bright, natural and fake, almost a dilaectic (a less sucessful one from the mid 70s had a swampy mudgreen ground with three bright swatches of colour, which indicates that the high risk/high reward compoenet of this kind of work)
Sunday - Ian Thomas
Come the Son
Mother Earth
Strange Brew
