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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Sunday - Aaron Neville & the Neville Brothers
One Love
Use Me
If I Had a Hammer
 drawings by Rob Cruickshank |
| Libby Hague's free
radicals project for the Art & Science Exhibition currently showing at Harbourfront involves a series of puppet shows by various performers that Libby is taping and editing for Youtube. Come by this Saturday and witness Zenexistential Puppet Theatre's Generic Creation Myth. Zenexistential Puppet Theatre VB and Rob Cruickshank A Generic Creation Myth Saturday Dec.11th, approx. 3pm Harbourfront Centre 235 Queens Quay West, Toronto |
Update: some images here and here and here. (This photo by tobadogs shows one my favourite moments: puppets putting on a puppet show.)
Michael Caines - Perfect Happiness at Mulherin Pollard Projects, 317 10th Avenue, New York
Twin Set 2010 india ink on paper
Lil' Kim 2010 india ink on paper
Perfect Happiness 2010 india ink on paper
David Wojnarowicz Gets It Better by Sholem Krishtalka (via Back to the World)
One Day This Kid… was made in 1990 and, twenty years on, I can’t help but think that Wojnarowicz, in a single print, has eclipsed the totality of the It Gets Better campaign. For one thing, each of the horrors that Wojnarowicz enumerates are still true, twenty years on (as I read through it, I can easily think of news items from the past year that bear these phrases out). Given his art-world fame, one might be tempted to infer that It Got Better for Wojnarowicz. But that’s not the point, and he knew it. (And, eighteen years after his death, conservatives are still attacking his work.)
See also: Q&A with Dan Cameron, curator of the New Museum’s 1999 David Wojnarowicz retro (via Paddy Johnson)
I think that David was pretty agonized a lot of the time, to be honest with you. He just didn’t understand why someone who wants to actualize their life, their consciousness, in the broadest and richest possible way, why they’d become targets for people who want to shut that down. There was an essential confusion with him, he’d ask it over and over again: What is the source of homophobia in our society, and why do we not look at homophobia as a disease the same way we understand racism and sexism are bad and negative, and that they harm and even kill people? We’ve never had that national conversation, and David insisted that it be in the forefront of discussion of his work.
It's Top Ten Aesthetic/Art Event time. (best or worst) (of 2010 or the last decade, we are lax about rules)
Send us your lists and links (so we can source images.)
You can be a detailed over-achiever like Anthony Easton
or you can complain a lot like R.M. Vaughan
Subtle self promotion is welcome.
Blatant self promotion is only welcome if you make me laugh.
Our sort of deadline is Dec. 27th. (once again, let's not leak too much into the new year because we're all sick of it by then)
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