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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Several weeks ago my 15 year old neighbour, Kes Lake, and I did a show for the neighbours in the park across the street. The video documentation became part of the Refraction Festival.
My animation for 'A TikTok Twist on ‘PizzaGate’ in The New York Times digital edition.
Well Now WTF? co-curated by Faith Holland, Lorna mills and Wade Wallerstein.
Exhibition design by Kelani Nichole
Daniel Penny, “Well Now WTF?: In a Maximalist Online Exhibition, New Media Artists Explore the GIF,” 4 Columns, June 12
Jillian Steinhauer, “Virtual Galleries: Well Now WTF?,” The New York Times, May 15
Johanna Fateman, “Well Now WTF?,” The New Yorker, May 15
Angel Callander, “Well Now WTF?,” Canadian Art, May 5
“May Diary: Online Events & Exhibitions,” It’s Nice That, May 1
Kentaro Takaoka, “Online art is in progress. Can ‘net art’ be revived in a pandemic?,” Bound Baw, April 30
Laura Feinstein, “Are Digital Galleries Here to Stay?,” A/D/O, April 29
A. Michailidis, “Artzóna special: Culture in Times of Need,” Česká televize, April 28
Alexandra Marraccini, “WellNow.WTF,” Bilderfahrzeuge, April 27
Katherine Ho, “#VogueAtHome: 12 Digital Art Shows,” Vogue Hong Kong, April 25
Juan Losa, “Fascismo balompédico, museo del GIF y otras propuestas para hacer frente al aislamiento,” Público, April 24
Ashleigh Kane, “12 digital art shows that you don’t need to leave the house for,” Dazed Digital, April 23
Annette Hoffman, “Net art has always been critical,” Artline, April 23
“What cultural plans can I make today at home?” El País, April 22
Nina Berman, “Virtual Art Shows and Performances: Advice from a Multimedia Artist,” Fractured Atlas, April 22
“Molly Soda’s Tour of Tumblr,” Timeout London, April 22
Jessie Schiewe, “Bored in Quarantine? Visit this Online Art Exhibit,” OK Whatever, April 21
“Spotlight: Silicon Valet,” LVL 3, April 21
Lily Shykoff, “COVID Culture,” Cult MTL, April 20
Carolina Miranda, “Essential Arts,” LA Times, April 18
Paddy Johnson, “Online GIF show Well Now WTF is a strong start for a net art revival,” The Art Newspaper, April 17
Kim Neudorf, “Well Now WTF? – Online Exhibition,” Akimbo, April 17
Benoit Palop, “Well Now WTF!,” Point Contemporain, April 17
Ellinor Landmann, “The internet should again be a playground for creativity,” Radio SRF 2 Kultur, April 16
“Well Now WTF?,” AntiMateria, April 16
Clara Tang, “Digital FOMO: What about digital experience in art?,” Gallery Talk, April 15
Chloë Diamond, Serena Tabacchi and Stina Gustafsson, “When Museums Reopen, Will Their Form and Function Have Changed?,” The Observer, April 12
“Five Essential Online Viewing Rooms,” Arcade Project Zine, April 10
“Well Now WTF?,” Arshake, April 8
“An art exhibit made for quarantine questions, 'Well Now WTF?',” Unagi, April 6
Leah Sandals, “Well Now WTF?” Canadian Art, April 4
Leah Collins, “This art show was made for the internet, and it's answering our most burning question: Well Now WTF?,” CBC Arts, April 3
José Luis Montemayor, “Well Now WTF, the new virtual art space,” Hora Cero, April 4
John L Tran, “Japan’s art institutions struggle to cope with the COVID-19 crisis,” The Japan Times, April 1
Tina Rivers Ryan, “No Fun,” Artforum, March 30
“From the Gallery to the Couch: How Exhibitions Have Gone Digital,” Elephant Magazine, March 27
Angel Callander, Lindsay Nixon, Leah Sandals, Joy Xiang and Jayne Wilkinson, “Art for Strange Times,” Canadian Art, March 26
“Safe at home streaming: Here are some initiatives for keeping occupied in self-isolation from across our community,” AQNB, March 26