|
Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
View current page
...more recent posts
Rob Cruickshank is installing work at Fly Gallery this weekend. I've seen a tantalizing blue spiral in mpeg preview form, and I'm looking forward to the real thing. I very much liked the piece Rob and Sarah Peebles did this summer, and of course if you don't regularly check his blog, Endless Parade of Excellence, then you are working far far too hard and really ought to adjust your priorities. Fly is operated by Tanya Read (see post below) and fellow artist Scott Caruthers. It's a walk-by window display on Queen West, between The Drake Hotel and the Gladstone Hotel, north side. If you are in Toronto, go by Fly in January and take a look.
NB: Let me declare up front that Rob, Tanya, and Scott are all friends of mine, and I will be showing at Fly Gallery myself in April. More posts about artists I've never met coming soon in 2005.
There's a great big story about Mr. Nobody in the Globe today! Gary Michael Dault did a good job filling in the back story on the enigmatic little guy, and there's some nice quotes from Tanya Read, Mr. Nobody's Frankenstein-like creator.
[Mr. Nobody's appeal] has a lot to do with his existential determination, in the way he just keeps going, persisting in the face of futility.Last spring I wrote a short exhibition essay for Tanya Read's show at Truck Gallery in Calgary. Here's a quote:
Recently, Mr. Nobody has acquired an Ignatz mouse, a yin for his yang, a perfect foil. In the film Juggernaut, a monstrous ball appears with dots that might be eyes, mouth, snout or belly but never quite resolving into form, an indominatable abstraction that rolls over Mr. Nobody and leaves him flat and blinking.You can watch Juggernaut online here at the Mr. Nobody website. NB: I also made a wee post on Mr. Nobody here back in May.
Kristin Lucas's top ten art picks for 2004
(listed in the order that she witnessed them)
1. Tom Moody online
http://www.digitalmediatree.com/tommoody/
2. Joe McKay's "Accidental MPegs". VertexList, Brooklyn, NY. January.
3. Paper Rad at Foxy Production, NY. April - May.
http://www.foxyproduction.com/ExhibitionPaperRad.html
4. Lisa Choinacky's "My Bodyguard". A drawing of a person about to take off on a motorcycle. Riding double is blue bear. Also her encaustic paintings of album covers. I bought "The Pretenders." Both works on presented by Fresh Up Club in Austin, TX. February and April.
5. Wangeshi Mutu, collage work
The Altoids Collection tour at ArtHouse Texas in Austin, TX. April. http://www.africana.com/articles/qa/ar20030305mutu.asp
6. Jude Tallichet's "It's All Good" from "Treble" exhibtion at Sculpture Center, NY. Curated by Regine Basha. May.
A pink and white pearl drum set hung upside down from the ceiling like a chandelier.
http://www.sculpture-center.org/pe_treble_img1.html
(roll over the images to 'no. 15' though not a great pic)
7. 2nd Grade Toy Inventions at Creative Research Laboratory in Austin, TX. "Now and Tomorrow" exhibition. June.
The Education Program of CRL in Austin worked with school teachers who then conducted art projects with students pre-kindergarden to 12th grade. My favorite was the 2nd grade project. They invented thier own toys, and exhibited them as if they were pitching them: a drawing, clay model, and a marketing profile outlining materials, noise, how to use it, age req., special effects, cost). My favorite toy was titled "Monkey". According to the available information, you throw it and it screams.
From the Austin Chronicle: "Alfred Galvan's Discoman, a blue and gold doll bursting with disco magic, is designed to be made of "plastic and solid gold" and sold for $4,000 under the slogan "Little Children Out of Site.""
8. The Infinite Fill Show at Foxy Production, NY.
My favorite works were Michael Bell-Smith's animation and Ryan Compton's hand-drawn sneakers on a brick wall pattern. July - Aug.
http://www.foxyproduction.com/Infinite.htm
9. Scott Hewicker's napkin drawings of cats with laser eyes. I keep finding them lying around abandonned. San Francisco, CA. Beginning in October.
10. Jovi Schnell at The Luggage Store Gallery in San Francisco, CA. November.
LM's top ten (in no particular order)
1. Cafka.04 or any year! Everything you want to see in a group show in a Civic centre, excited artists and an excited public.
http://www.contemporaryartforum.ca/main/main.html
2. Wade - Another terrific group project, and I agree with Sally that the misanthropic Gene Threndyle did a marvellous piece.
http://www.digitalmediatree.com/sallymckay/?28096
3. Daniel Barrow "The face of Everything" closing night at Images Festival.
His own web site is: http://www.danielbarrow.com
4. Kate Wilson's "Cool Lustre" at Katharine Mulherin (I like the greasy paintings the best!)
http://168.144.171.147/kmart/exhibitions/a_artist.asp?id=167
Her listing on the CCCA site is: http://www.ccca.ca/artists/artist_info.html?languagePref=en&link_id=5492&artist=Kate+Wilson
5. David Shrigley's transit posters up around Toronto during the Contact festival.
His own web site is: http://www.davidshrigley.com/
6. John Dickson's "Cold War" at Cambridge galleries http://www.cambridgegalleries.ca/cambridge.taf?section=2
(probably because I saw "Das Boot" seven times and cried when the Kursk sunk.)
7. Julie Voyce at AGYU
http://www.yorku.ca/agyu/exhibitions/wiflfag.html
8. 640 480 video embroidery machine at Zsa Zsa
http://www.640480.com
9. Fastwurms with Michael Barker at Zsa Zsa, loved the wood grained mac-tac pirate ship wall and loved Andrew Harwood's moving role in the video as man-dressed-as-a-pirate-waving-a-phoney-sword-and-yelling-aaaaarrrrrrgggggggg
10. Going to the local video store, just looking to rent some fluffy movie with costumes, and picking up Alexander Sokurov's "Russian Ark", watched it three times that evening, once with the commentary, then watched the "making of...", then brought it over to a friend's house and watched it again, (but probably spoiled the whole experience for her, since I wouldn't shut up about it.)
Tino's Top Ten art picks for 2004:
1. Rev Billy at XSpace, International Festival of Performance Art
http://www.7a-11d.ca/2004/2004.html
Riveting performance in front of a packed house. Followed by an anti-corporate intervention after the show. Inspiring.
http://www.nowtoronto.com/issues/2004-11-04/news_story8.php
http://www.revbilly.com
2. Kurt Swinghammer: Augusta CD
Sweet, nostalgic and best written album bout Toronto since Scott B's "Neil Yonge Street".
http://www.swinghammer.com/
3. Olia Mischenko Mercer Union
Olias' other-worldly miniature drawings were literally being rubbed off the walls by peoples' noses that night.
http://www.mercerunion.org/show.asp?show_id=102
4. Kraftwerk, Ricoh Coliseum, Toronto
Visually stunning music.
http://www.tecnopolis.ca/gallery/Toronto-2004?page=11
http://www.kraftwerk.com
5. Poster Korea, FearonRevell Projects
Two Canadians teaching in Korea bring along a suitcase of posters from Canada and liven up the Seoul.
http://www.fearonrevellprojects.org/poster/index.htm
6. Toronto Graffiti Art Scene - Style in Progress Festival, July 2-4
It just gets better and better. Empty walls say nothing.
http://www.styleinprogress.ca/
7. Cloaca Wim Delvoyle, Power Plant Gallery
Surprise. We are the art. Wim said: 'In New York, they were all worried about the hygienic aspects of the machine. In Europe, people just wanted to know what it all meant. In Toronto, they just ask: "How does it work?"
http://www.cloaca.be/
8. Graeme Perry: Laneing (Web Project)
Most inspiring online project. Documenting the underbelly of Toronto.
http://www.graemeparry.com/laneways/maps/center/center.html
9. Toronto Subway Station Buttons, Public Space Committee
Simple, brilliant and fun.
http://www.spacing.ca/buttons.htm
10. Chester Brown - Louis Riel
Best graphic novel of 2004. Hands down, we're taking over HBC.
http://www.arts.uwaterloo.ca/~raha/392AF04_web/04-Lam/louis.html
(Note: This link features an online version of the book!)
Images from The Elegant Universe
String theory kind of bugs me. Or maybe its just the latest offering from the ever-charismatic string theory guru Brian Greene that I found mildly irksome; the three-part TV series version of his book The Elegant Universe. A good friend gave it to me on tape (thank you friend), but Goodreads has posted a link to the episodes online. String theory is pretty groovy: the idea that the fundamental elements of the universe are not tiny particles at all, but vibrating loops. Maybe I'm just crabby cause of Christmas, but the show kind of turned me off the concept.
The show is a science graphics extravaganza. We are continually bombarded with the invitation to "picture" this and "imagine" that. I began to get the feeling that in any given instance, almost any analogy would do. Instead of falling apples to indicate gravity, how about anvils? Instead of slices of bread to indicate parallel universes, how about an ever expanding playlist of different mp3s? The art direction was very catchy but the visual themes seemed haphazard and I started to doubt the use of eye-candy in wrestling with abstractions.* And by extension I started to doubt string theory itself.
Is it a massive stretch to compare theories with pictures? Theories, like Einstein's theory of relativity, or Heisenberg's Uncertainty Principle, do function as a kind of representation. Like a model, or a diagram, they give us a means of sorting information into a configuration that carries meaning. As a lay person absorbing flashy science for a general audience,I am not required to go through the rigours of proving any theories. That's a problem, because I start to see the theories as interchangeable bits of culture, rather than tested modules of scientific knowledge with evidence attached. I do realize that lot of people do a lot of long boring computations on an ongoing basis just so that we can all adopt one theory over the next. And the same goes for string theory. (And the calculations balance!) But, unlike quarks and neutrinos, it just isn't possible to test empirically for evidence of strings.
I wonder, could we just as easily think of the universe as made up of tiny thumb tacks, tacks that poke into the fabric of space time and attach on pieces of other dimensions, so that the universe piles up like layers on an overstuffed bulletin board? Or maybe the universe is made up of cat hairs, that clump into balls in some places, like under the couch, but float freely as individual strips, carrying all kinds of microscopic information as they settle in your spaghetti sauce, or on the bosom of your best black dress. If we spent five hundred years doing the calculations on such a model, is there a chance that we could get the mathematics to work out? I know I'm out on a limb, but I don't think I'm alone in feeling that string theory, at least in the context of Brian Greene's TV show, is just a tad too self-reflexive. There's another word for that...oh yeah, elegant!
(*This could pose a problem for me, since making art images derived from science ideas is one of my ongoing projects.)