|
Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
View current page
...more recent posts
 TV screen gif by Sally McKay |
Tom Sherman, "How To Watch Television", from Cultural Engineering (Ottawa: National Gallery of Canada, 1983), p.56Sit so close, you can't follow the action. The edits come too fast this close. Turn the channel selector. Turn it again.Turn the contrast up. If you have a focus control, turn it so the image is grainy. Toughen up the image. Just a touch of fine tuning ... press your face on the screen. Keep your eyes open. It's beautitul up close. You can feel the charge on your face. You can sense it when you close your eyes. The cool light is red inside. |
Goodridge Roberts, Bright Day, Georgian Bay, 1961. Royal Bank Financial Group's Corporate Art Collection |
 (detail) |
B.C. Binning, Atomic Foundation, 1950. Artists 4 Kids, Original Prints by Canada's Finest Contemporary Artists |  (detail) |
Frederick H. Varley, For What? Canada's Digital Collections |
 (detail) |
| George Elliot (1953): "Colour of course, is the first element to be sacrificed if painting is put in front of the television camera. Can you imagine a Goodridge Roberts landscape without Roberts' very private blues and greens? Binning's subtleties of colour are an important part of his charm. Varley's disturbing palette of piercing greens, blues, cold pinks and earth are essential to the uniqueness of Varley. [...] A painting needs an intellectual presence before it can work its magic. Placing anything between the viewer and the painting kills the viewer." Excerpts from: George Elliot, "A Warning to Artists," in Canadian Art, Spring 1953, p.10-6 (as reprinted in Video re/View, Peggy Gale and Lisa Steele, eds., Toronto: Art Metropole/VTape, 1996, p.20) | |
 |
   |
This killer whale has been hanging out at Gold River in Nootka Sound (Vancouver Island) since 2001, bumping boats and socialising with humans. The federal Department of Fisheries and Oceans wants to reunite "Luna" with his pod. The local Mowachaht-Muchalaht First Nation want to let "Tsux'iit" make up his own mind about what to do next. The two groups have come to a very nifty agreement, which basically involves letting the whale hang out if the Mowachaht-Muchalaht agree to keep an eye on it (with some financial support and emergency backup from DFO). The story is back in the news (today's Globe and Mail) because the contract is up for renewal, and the Mowachaht-Muchalaht want to leave the whale alone for at least another seaon. According to their website:
The whale appeared in Nootka Sound in the summer of 2001, soon after the Mowachaht/Muchalaht lost a great leader, Ambrose Maquinna. Chief Maquinna said he would return to this world as a killer whale. The Mowachaht/Muchalaht believe the young whale carries his spirit and has, for now, chosen Nootka Sound for his home. To the Mowachaht-Muchalaht, killer whales are the guardians of the laws of the sea, and their choices should be respected.There is a potlatch next November to honour Chief Maquinna, and the natives want to let Luna hang around at least til then. The reincarnation angle has more emotional clout than simply suggesting "let's just go with whatever the whale wants to do" (which would work for me), and probably accounts in large part for the DFO's willingness to compromise thus far.
I got mad today, however, because according to the papers, PUBLIC SAFETY is stated as the main reason the DFO wants to remove the whale from the bay. Granted, the whale is pretty boisterous and keeps bumping into people's boats and wrecking private property. But really now, how hypocritical can we imperialist friggin' human beings get?! BC is all about wilderness tourism. Snowboarders and skiers break their legs, freeze their ears, and become engulfed by landslides; hikers sprain their ankles, contract sunstroke, and, get mauled by grizzlies; surfers drown, and get sand-rash. Can the threat of somebody getting injured by this one whale really be such a pressing issue? People's properties --boats in the marina--have been getting damaged, and other whales have been returned to their pods (with varying degrees of success). The cachet of cutting-edge marine biology holds a certain sway in west coast culture, and of course there is no more famous rally cry for white environmentalists than "save the whales" (never mind that they're mostly already full of PCBs and chased around by flocks of tourists in zodiacs all day). I'm sure there are more reasons, but the sum of the parts is essentially this: the global economic model, with its who's-in-and-who's-out hegemony is moving along nicely and we, who incidentally benefit the most, are moving along with it. Your so-called radical big ideas are all very well, but unfortunately, they pose a THREAT TO PUBLIC SAFETY. grrrrr.
In my recent web puttering I came across a few First Nations oriented forums that mention the issue. I like very much what Immortal Thunder had to say in response to an impassioned plea to the effect that the issue is besmirching the First Nations in the eyes of just about everyone and they should back off:
These misinformed ecologists and animal rights groups should blame DFO and eco-tourism outfits, for promoting the public observation and interaction with wild life, as a commercial venture and a form of entertainment. The situation that endangers the lives of the curious and uniformed was created by them not the native people.
Schwarz' 2004 top ten
1 - wfmu top ten list
2 - andrea fraser from walter robinson's top ten list
3 - red states come out
4 - sherry levine continues to do mediocre work
5 - richard prince continues to do mediocre work (spot trend?)
6 - mediocre shipping container houses hit the nyc art scene and get a mediocre review in architects news paper
7 - frank lives in a drat hole on dave's page
8 - selma actually knows about art and architecture
9 - terminal five show from tom moody's top ten list
10 - my show of a ten year old piece (my first 1000 wrenches) in lori bortz's garage, a studio visit by bob nickas and palemale starts rebuilding his nest
 |
 |
Xandra Eden’s 10 for 2004 (in no particular order)
1. Mike Kelley, The Uncanny, MUMOK, Vienna and Tate Liverpool
http://www.tate.org.uk/international/kelley.htm
2. Scott Lyall, The Canon Copiers, Susan Hobbs Gallery, Toronto
3. Gelatin, Meyer Kainer Gallery, Vienna
4. Jane Jacobs, Dark Age Ahead
http://www.randomhouse.com/catalog/display.pperl?1400062322
5. Reverend Billy, XSPACE, 7a-11d Performance Art Festival
http://www.revbilly.com/
6. Maura Doyle, There's a New Boulder in Town + Toronto's Erratic Boulders - Downtown Map, Toronto Sculpture Garden
http://www.torontosculpturegarden.com/currentexhibit.htm
7. Darren O’Donnell, A Suicide-Site Guide to the City, Toronto/Vancouver/Edinburgh
http://www.buddiesinbadtimestheatre.com/events/show.cfm?i_key=27
8. Olafur Eliasson, The Weather Project, Turbine Hall, Tate Modern, London
http://www.tate.org.uk/modern/exhibitions/eliasson/
9. Tone Nielsen & Morten Goll, Niagara Falls Artist Host Program, Mercer Union, Toronto
http://www.mercerunion.org
10. Rodney Graham, Rheinmetall/Victoria 8, 303 Gallery, New York
http://www.303gallery.com/artists/graham/index.html