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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Get this: I've been given the assignment (by FUSE magazine) of writing a review of the proceedings of an artist-run centre conference...and I'm really looking forward to it. The book just came in the mail, I've skimmed it and I'm raring to go. It's called Off Printing: Situating Publishing Practices in Artist-run Centres (or in French, Tiré à part: situer les practique d'édition des centres d'artistes). For those other nerds out there who can't live without this book, there is an order form available here at the RCAAQ website. It costs $28.
Normally I'd leave critiquing art gallery PR to Simpleposie, but YYZ's "ScenoArt" poster insert thingy is totally absurd! I saw the show, by Sue Gallagher and Andrew King, and it wasn't a spoof. I quite liked Sue Gallagher's piece, in which scenes from old films with dancing couples are split horizontally and reflected, so it looks like the dancers are spinning around neck-deep in a glassy pool. Anyhow, I really want to point out the poster. It's in all caps, for starters. One side is devoted to surreal vision statements from the curator (also a YYZ board member), complete with three claims of ownership and one statement of copyright, and accolades from what appears to be her professor from school (I hope I'm wrong about that). The other side is devoted to the artists, which amounts to their bios and statements blown up in big fonts with weird spacey typesetting and a statement from the curator/board member saying, "Are we not compelled to look for the ones that reflect us and our own work best?" Luckily for those not on the YYZ mailing list, the whole thing is online, typography and all, at www.scenoart.ca. Hooray!
Also mysterious: NOW magazine spelled "penis" as "penus" in today's letters section, both in print and online. Did they do it on purpose?
I've posted a new review here, about Melissa Doherty's recent show at Red Head Gallery, and Roberta McNaughton's current show at Katharine Mulherin Contemporary Art Projects.
