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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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The brilliant Beirut casino will now serve as
your alert to an essay by Pierre Tristam on the
political fallout of the recent war in Lebanon.
The double-phallic pippiclava will now serve
as your alert to a new issue of artfag.
From the Farm to the Fork with a short stop at the petting zoo at the Royal Agricultural Winter Fair. Last weekend we visited the fair to see if animals were happy and loved us.
The portraits in the post below are from the Canadian Agricultural Hall of Fame Gallery, (sponsored by SEMEX) in a room attended by two older gentlemen who were happy and loved us.
L.M. and I have both been participating in a long and sometimes heated (and sometimes hilarious) thread about art criticism over at Simpleposie. The arguments are a tad circular, as people who seem to fundamentally disagree forge the occasional spot of common ground, and then re-polarise. It seems like it might be winding up now, which is a bit of a relief as its time for me to do-as-I-say, not say-as-I-do, but it's been interesting and challenging.
installation view
rabbit space ship
before and after
before and after
video stills from monitors on the bridge (before)
video stills from monitors on the bridge (after)
meet the crew and captain