GG_sm Lorna Mills and Sally McKay

Digital Media Tree
this blog's archive


OVVLvverk

Lorna Mills: Artworks / Persona Volare / contact

Sally McKay: GIFS / cv and contact

View current page
...more recent posts




I hope everyone enjoyed a Fruitful Mormon Holiday yesterday.

Now in other business, af6.gif posted something about not feeling it enough to write about art these days.

- L.M. 2-17-2009 7:10 am [link] [8 comments]




Happy FAMILY DAY to all the citizens of Ontario.

sugar.gif
fruit_sm
fuckdog_sm.gif


(found)

- L.M. 2-16-2009 7:12 am [link] [5 comments]



Sunday - Sergio Méndez


Mas que Nada


Day Tripper


Ye-Me-Li & Wichita Lineman (and pure stair porn)

- L.M. 2-15-2009 6:56 am [link] [10 comments]



Winnipeg Babysitter in NYC, (a documentary, curatorial, and performance project by Daniel Barrow)
Tuesday, Feb 17, 2009 at Light Industry - NEW SPACE, 220 36th Street, 5th Floor, Brooklyn, NY

wbSurvival
Screen grab from Survival! with Guy Maddin & Greg Klymkiw


"When SHAW cable purchased Winnipeg's local cable station VPW, a rumour was circulated that SHAW had destroyed the public access television archives and were systematically dismantling the public access services. Shortly thereafter, Daniel Barrow began researching, compiling and archiving a history of independently produced television in Winnipeg, Manitoba. In the late '70s and throughout the 80s, Winnipeg experienced a "golden age" of public access television. Anyone with a creative dream, concept or politic would be endowed with airtime and professional production services.

A precedent that went far beyond standard television formula was set in the late '70s when the infamous Winnipeg performance artist Glen Meadmore sat in front of a television camera and silently picked at his acne for 30 minutes each week in a program called The Goofers (later The Glen Meadmore Show). Winnipeg Babysitter traces this and other unique vignettes from a brief synapse in broadcasting history when Winnipeg cable companies were mandated to provide public access as a condition of their broadcasting license. "

- L.M. 2-14-2009 8:51 pm [link] [1 ref] [add a comment]




spira

(found)

- L.M. 2-14-2009 7:21 am [link] [add a comment]


Joester has been talking about Johan Huizinga's book Homo Ludens on a recent thread. I'm interested in how similar Huizinga's characteristics of play are to potential descriptions of art. There are differences, of course, but charming cross-overs.
voluntary: "...all play is a voluntary activity."

not ordinary life: "...play is not 'ordinary' or 'real' life. It is rather a stepping out of 'real' life into a temporary sphere of activity with a disposition all its own."

limitedness in time: "Play begins at a certain moment and then it is 'over.'"

repeated: "It is transmitted, it becomes tradition. It can be repeated at any time, whether it be 'child's play' or a game of chess or at fixed intervals like a mystery."

limitedness in space: "All play moves and has its being within a playground marked off beforehand either materially or ideally, deliberately or as a matter of course."

order: "...it creates order, it is order. Into an imperfect world and into the confusion of life it brings a temporary, limited perfection. Play demands order absolute and supreme. The least deviation from it 'spoils the game', robs it of its character and makes it worthless."

aesthetics: "Play has a tendency to be beautiful."

tension: "...testing of the player's prowess"

fairness: "...despite his ardent desire to win he must still stick to the rules of the game."

rules: "All play has its rules."
sidenote: L.M. claims to use the following quote as an error message, "Play only becomes possible, thinkable and understandable when an influx of mind breaks down the absolute determinism of the cosmos."

- sally mckay 2-13-2009 5:03 pm [link] [4 comments]