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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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it's too late...
Sunday Devotional: Sparks
This Town Ain't Big Enough for The Both of Us
Dick Around
From the movie 'Roller Coaster'
(posted by VB via SM).
Kristan Horton: Orbits, Sept. 12 - Oct. 10, 2009 at Jessica Bradley Art + Projects, 1450 Dundas Street W., Toronto
Orbit: Red Plate Tokyo and Orbit: Styrene 2009 44 " x 57.3 ", colour print
Orbit: Disposible Gloves and Orbit: Doorknob 2009 44 " x 57.3 ", colour print
Orbit: Dark Center and Orbit: Zen 2009 44 " x 57.3 ", colour print
Ed Pien at the Tree Museum, Gravenhurst, Ontario
Psycho 2009 one of 12 polished metal disks, 2.5 feet in diameter
Tempest 2009
False 2009
Heidi Schaefer - elevation at Stantec Window Gallery, Spadina Ave and Wellington St., Toronto until September 20, 2009
Notes on making value judgements and empiricism vs universality...
I'm reading neuroscientist Semir Zeki's new book, Splendours and Miseries of the Brain (2009). Zeki is the guy who basically founded neuroaesthetics with his influential 1999 book, Inner Vision: An Exploration of Art and the Brain. I'm digging the new one more. He's been engaging seriously with artists and art historians over the past ten yeras and he's refined his theory in a good direction.
As I mentioned in a recent post, one of the problems with neuroaesthetics is the tendency for people to focus too much on the autonomic systems. It makes sense, because the unconscious processes are the ones that can be isolated and studied with the technologies (fMRI and monkey experiments) available to neuroscience. Most neuroscientists make it very clear that their experimental findings do not address the whole picture of human consciousness. But some art folk, like historian John Onians, have been taking up this focus on unconscious brain activity with unbridled enthusiasm and layering it with dubious meanings.
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