Today I rode my bike past the AGO (Superbuild project underway, architect Frank Gehry) to a meeting at the ROM (Superbuild project underway, architect Daniel Libeskind). Which is better so far?
As I mentioned earlier, I like what I've seen of the AGO's 'swing-space' programming. The galleries are way reduced, but the let's-let-our-hair-down-and-do-some-contemporary-programming attitude is good. I wrote about Swintak earlier, but neglected to mention the exquisite installation by cartoonist/artist Seth of Palookaville fame. Seth has been making 3-d cardboard building. Each is about the size of half a bread-box. The surfaces are painted, details illustrated down to individual bricks, in Seth's characteristic and coherent style. Painted in lush, bluish-grey tones, Dominion City, looks like a town in twilight, simple and surreal and well worth a visit.
drawing by Seth, image from Lambiek
Today I had a browse around the ROM's appease-the-public-with-something-to-look-at-while-we-reno exhibit, Feathered Dinosaurs and the Origin of Flight. The set-up felt a bit tawdry, tucked off to one side, but there were tons of very cool fossils to look at from Liaoning in China. For some reason I didn't take in, the rock in this quarry allowed for unusual preservation of soft tissue and tons of dinosaurs with feathers intact! There are also perfectly preserved insects—spiders and flies— and one very cool little flightless bird with a stomach full of rocks.
fossil from Liaoning Province of China, image from fossilmuseum.net
I'd say I'm more impressed with the AGO's transitional programming efforts, but the ROM still wins for one important reason. Their construction hoarding includes a passageway for pedestrians (and it's wide enough you can sneak through on a bike if you want). The AGO's hoarding, on the other hand, interrupts a bike lane, and completely blocks off the sidewalk between Beverly and McCaul, with a sign admonishing pedestrians in orange lettering not to walk along the road.
nice hoarding w/sidewalk, thanks ROM! image (cropped) from skyscraperpage.com
return to: sally mckay and lorna mills
"...AGO report mckay..."
"...eminds me that I'm ready for a Gordon Matta-Clark retro. As big a disaster as MoMA's contemporary floor is, that piece is great. So is SFMOMA's. Frank Gehry and Daniel Libeskind are building in Toronto. Libeskind started first, and Sally Mckay has photos of the skeleton. My write-up of the Stephen Shore show at the Hammer ran yesterday, but this point was too art-world-specific for me to raise in 600 words. They sure looked different to me too. First the Hirshhorn buys a posthumously-made ..."
"...reminds me that I'm ready for a Gordon Matta-Clark retro. As big a disaster as MoMA's contemporary floor is, that piece is great. So is SFMOMA's. Frank Gehry and Daniel Libeskind are building in Toronto. Libeskind started first, and Sally Mckay has photos of the skeleton. My write-up of the Stephen Shore show at the Hammer ran yesterday, but this point was too art-world-specific for me to raise in 600 words. They sure looked different to me too. First the Hirshhorn buys a posthumously-made Li..."
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