John Gregory Dunne, novelist, journalist, husband of Joan Didion, died yesterday. I highly recommend his book Monster: Living Off the Big Screen. Lucidly written, incredibly dry, it describes the process by which he and Didion adapted the story of TV anchor Jessica Savitch, which eventually became the dumb movie Up Close and Personal. If you want to know exactly why Hollywood offerings, and especially those produced by Scott Rudin and/or starring Robert Redford, are bland and suck, read this book. In real life Savitch's Svengali husband (played by Redford) was a wifebeater with a sick psychological hold over Savitch; barely a glimmer of this survives in the movie. Chapter by chapter, Dunne takes you through the process whereby reality, and a script, is transformed into uplifting, conventional treacle.
During the on and off writing of the Savitch screenplay, Dunne and Didion tackle a science fiction script, for a Simpson/Bruckheimer blockbuster (never filmed) called Dharma Blue. The plot concerns UFO-related goings-on at a mysterious research facility called Rhyolite. Written into a corner, they decide they need a lesson in current physics to move the story forward. Science go-to guy Michael Crichton's suggested dialogue about string theory cracked me up:
[Doctor, novelist, filmmaker] Michael Crichton has for years been our authority about matters medical and scientific. [I called him and said] Michael, tell me about string theory. "For a piece, book, or movie?" Michael asked. "Movie," we said. "You want to know what it is," he asked, "or do you need dialogue?" "Dialogue," we said, "and we need to keep it simple." "John," he said patiently, "It's a movie." We explained the circumstances. "I'll check some people and get back to you," Michael said.
A few days before our meeting with Simpson and Bruckheimer, Michael called back with the requisite information, and helped us put it in dialogue form:
A. Most people think of the universe as having four dimensions. Height, length, depth, and time. String theorists have constructed a theoretical model of the universe with 26 orthogonal dimensions.B. Orthogonal? A. At right angles... B. But what does it mean that they're doing string theory at Rhyolite? A. I think it means they're not doing theory any more. (a beat) It means that...whatever they're out there to study...may appear to exist in more than four dimensions. (another beat) It means they could be out there to see what 26 orthogonal dimensions looks like when it hits the real world.
Dunne and Didion also start an action movie script, and feel considerable pressure to come up with "whammies"--an industry term for "special effects that kill a lot of people, usually bad people, but occasionally, for motivational impact, a good person, the star's girlfriend, say, or that old standby, the star's partner, a detective with a week left before retirement." After they submit a story outline filled with what they think is the requisite mayhem, director Renny Harlin (Die Hard 2) rejects it, and describes his ideal scenario: "'First act, better whammies,' he said. 'Second act, whammies mount up. Third act, all whammies.'"
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John Gregory Dunne, novelist, journalist, husband of Joan Didion, died yesterday. I highly recommend his book Monster: Living Off the Big Screen. Lucidly written, incredibly dry, it describes the process by which he and Didion adapted the story of TV anchor Jessica Savitch, which eventually became the dumb movie Up Close and Personal. If you want to know exactly why Hollywood offerings, and especially those produced by Scott Rudin and/or starring Robert Redford, are bland and suck, read this book. In real life Savitch's Svengali husband (played by Redford) was a wifebeater with a sick psychological hold over Savitch; barely a glimmer of this survives in the movie. Chapter by chapter, Dunne takes you through the process whereby reality, and a script, is transformed into uplifting, conventional treacle.
During the on and off writing of the Savitch screenplay, Dunne and Didion tackle a science fiction script, for a Simpson/Bruckheimer blockbuster (never filmed) called Dharma Blue. The plot concerns UFO-related goings-on at a mysterious research facility called Rhyolite. Written into a corner, they decide they need a lesson in current physics to move the story forward. Science go-to guy Michael Crichton's suggested dialogue about string theory cracked me up:
Dunne and Didion also start an action movie script, and feel considerable pressure to come up with "whammies"--an industry term for "special effects that kill a lot of people, usually bad people, but occasionally, for motivational impact, a good person, the star's girlfriend, say, or that old standby, the star's partner, a detective with a week left before retirement." After they submit a story outline filled with what they think is the requisite mayhem, director Renny Harlin (Die Hard 2) rejects it, and describes his ideal scenario: "'First act, better whammies,' he said. 'Second act, whammies mount up. Third act, all whammies.'"- tom moody 1-01-2004 12:33 am