Chris List (aka CList) explains the GCD, or graphical compression/distortion unit he is working on for Reaktor 5, Native Instruments' user-designable software synth. Chris was a somewhat impromptu featured guest speaker at the Reaktor clinic at Sam Ash music in midtown, earlier today. He is one of the most prolific and ingenious of NI's "citizen designers"--i.e., people who contribute instruments to the shared user library and participate in Native Instrument forums but don't work for the company. I found out about his talk on the forum. In the photo, he is explaining how Reaktor's new "core" technology is allowing him to design a less CPU-intensive interface involving, among other things, the use of Bézier curves to plot sounds on an x-y grid. The underlying math of the GCD, applied at the core level, is way beyond me but the effect grabs the ear, and List explains it so clearly it almost sounds easy to make.
Also, thanks to Chris and the NI representative for answering my simple question about how to get samples out of Reaktor into other programs. You can save the individual .aiff files from Sampler/Properties/Sample Map Editor (located a few levels down inside the individual instrument) to a folder on your hard drive, or save the entire map and open it in Kontakt 2, which converts Reaktor sample maps. Awesome! I just converted the Limelight samples and can play around with them now outside Reaktor.
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Chris List (aka CList) explains the GCD, or graphical compression/distortion unit he is working on for Reaktor 5, Native Instruments' user-designable software synth. Chris was a somewhat impromptu featured guest speaker at the Reaktor clinic at Sam Ash music in midtown, earlier today. He is one of the most prolific and ingenious of NI's "citizen designers"--i.e., people who contribute instruments to the shared user library and participate in Native Instrument forums but don't work for the company. I found out about his talk on the forum. In the photo, he is explaining how Reaktor's new "core" technology is allowing him to design a less CPU-intensive interface involving, among other things, the use of Bézier curves to plot sounds on an x-y grid. The underlying math of the GCD, applied at the core level, is way beyond me but the effect grabs the ear, and List explains it so clearly it almost sounds easy to make.
Also, thanks to Chris and the NI representative for answering my simple question about how to get samples out of Reaktor into other programs. You can save the individual .aiff files from Sampler/Properties/Sample Map Editor (located a few levels down inside the individual instrument) to a folder on your hard drive, or save the entire map and open it in Kontakt 2, which converts Reaktor sample maps. Awesome! I just converted the Limelight samples and can play around with them now outside Reaktor.
- tom moody 6-29-2005 6:00 am