Future rant: a walk through this selection of Net art at the Whitney from a couple of Biennials back, which was just impossible to interact with, or to want to interact with, in a museum environment, versus this great page Olia Lialina alerted me to a short while ago, which would have been tons of fun in a museum if properly presented and would have given Net Art a good name, as opposed to an invitation not to come back for future Biennials. Olia explains about the piece: "in 2003 my students were celebrating 10 years of the WWW.
One of the objects was made of found bullets." Bullets, yes! Just f*cking bullets. No page-long back story, no navigation nightmares, no frozen screens (well, maybe the last). Student work or no, it's a bang-on elegant piece, continuing the Schwitters tradition of making art out of pop trash, in contrast to the Mondrianic mien of hermetically sealed art perfection. One could envision this projected really large, and with something other than a mouse, say a foot switch or button on a podium, that could steer you around the web ring of bullet patterns. People would be standing around ooh-ing and aah-ing as each new magnificent phalanx of back buttons loomed before their eyes, instead of disgustedly walking away from the workstation ghetto with a terminal case of knotted up shoulder muscles.
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Future rant: a walk through this selection of Net art at the Whitney from a couple of Biennials back, which was just impossible to interact with, or to want to interact with, in a museum environment, versus this great page Olia Lialina alerted me to a short while ago, which would have been tons of fun in a museum if properly presented and would have given Net Art a good name, as opposed to an invitation not to come back for future Biennials. Olia explains about the piece: "in 2003 my students were celebrating 10 years of the WWW. One of the objects was made of found bullets." Bullets, yes! Just f*cking bullets. No page-long back story, no navigation nightmares, no frozen screens (well, maybe the last). Student work or no, it's a bang-on elegant piece, continuing the Schwitters tradition of making art out of pop trash, in contrast to the Mondrianic mien of hermetically sealed art perfection. One could envision this projected really large, and with something other than a mouse, say a foot switch or button on a podium, that could steer you around the web ring of bullet patterns. People would be standing around ooh-ing and aah-ing as each new magnificent phalanx of back buttons loomed before their eyes, instead of disgustedly walking away from the workstation ghetto with a terminal case of knotted up shoulder muscles.
- tom moody 10-12-2005 10:30 am