[Michael Bell-Smith]: For many people (techies and lay folk alike) issues of authenticity and technique are on the surface of all digital work. Digital is akin to magic: the magic of the desktop computer, the magic of cinema special fx, the magic of the internet, and with that magic - what Tom [is calling] the "tech gap" - is often skepticism and anxiety. One way I try to counter that gap is [via] lo-res graphics, basic movement, slow pacing. (Up and Away, for instance, from a mechanical standpoint, is no more than a series of still images moving from the top of the screen to the bottom.)

It's an attempt at letting the seams show, a step towards the folk art approach that the artist drx (by way of Tom) has advocated. My hope is that an audience might have a better understanding of "what's going on" and can therefore engage the work from other angles.

A nice side effect of this, is that once you begin to suss out what's going on, you might begin to think about other forms of digital mediation in your life, and wonder how those work, and wonder if you've ever seen their seams, and if not, why not?