In quoting 1980s video footage, the two artists twist the temporality of "obsolescence." We recognize that the styles of clothing, hair and eyewear are out-of-date yet the crispness of video, its color and image resolution, seems perennially present. Blood Fantasy uses a similar grammar of mixed imagery, creating a greater sense of abstraction in the juxtaposition of figures and patterns: aerobics dancers, King Tut, a woman breastfeeding, and sequences of pixilated light in blue and fuchsia.