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Dallas-based painter John Pomara has a show up right now at Inman Gallery in Houston, which has been getting some attention. Seems Pomara's former student Tad Griffin got known in Houston for a style and conceptual line somewhat similar to his, and the scene's so intimate that the idea of two artists mining the same vein makes people uncomfortable. Bill Davenport's review appears here, and my reply is here. Below is a jpeg of Pipeline, 2000, oil enamel on aluminum, 30 x 24 inches.
