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tom moody


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From Al Jazeera: Rumsfeld Cracks Jokes, But Iraqis Aren't Laughing

If ever an Oscar was deserved for minimizing catastrophic reports coming out of Iraq with jocular "henny penny" disbelief, then Rumsfeld has a date with Hollywood.

"Television is merely running the same footage of the same man stealing a vase over and over," he joked, adding he didn't think there were that many vases in Iraq. [Need to confirm--did he actually say "There can't be that many vases in Iraq"?] The US may be the strongest nation in the world, but their history is incomparable to that of Iraq – a region that has been described as the cradle of civilization.

Flippant remarks cannot replace priceless artefacts that have disappeared from the National Museum in Baghdad, or the books of the University of Mosul – one of the oldest and best universities in the whole of the Middle East.

The NY Times report on the gutting of the National Museum is just unbelievable. Why wasn't this immediately secured by "coalition" forces--if for no other reason than to protect a multimillion dollar asset? Is it farfetched to imagine that professional art thieves participated in the "looting"? This really goes beyond Bush and Co being a bunch of art-hating philistines. It was gross negligence.

- tom moody 4-13-2003 9:35 am [link] [6 comments]



Artist Jack Goldstein recently died at his home outside LA, sadly a suicide. Jim Lewis has a tribute in Slate (the slide show is also worth a look). He writes "Goldstein is probably best-known for his early film segments. In [Metro-Goldwyn-Mayer, 1975], the MGM lion is isolated on a red background, his roar looped over and over, until it attains the status of an annunciation that heralds nothing but its own presence." Those are beautiful words, but if we think of the clip as an annunciation it's because of information extraneous to the work itself: that the lion comes before the movie. Except, we don't think of that knowledge as extraneous because it's so ubiquitous in our culture. That's what the piece is about: what Craig Owens meant (I think) when he repurposed the term "allegory" for the "pictures generation" of media-savvy artists--a code instantly recognized by everyone, which would be discussed in the '00s in terms of memes or branding. "Heralding nothing but its own presence" probably also doesn't get at how annoying the loop is if you stay in the gallery longer than five minutes. Like the techno or industrial music that followed, meaning is reduced to pure noise, which becomes a new kind of meaning.

Also, I suspect (hope) Lewis is just trying to ingratiate himself with Slate's conservative readership when he calls the words spectacle and simulacrum "risibly dated." As our recent experience with shock-and-awe bombing and staged statue-toppling shows, the concepts are very much alive, and no better buzzwords have actually come along.

On that subject, here's a later work by Goldstein, one of the photorealist paintings from the '80s (still checking on the particulars):



- tom moody 4-12-2003 8:25 pm [link] [add a comment]