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Still frame from You Only Live Twice, 1967. The guy in the picture uses the keypunch equipment to move a surveillance camera around. If you haven't seen this Bond movie lately, check it out. It's set entirely in Japan, and the '60s Zen moderne interiors are amazing. Great dated tech stuff like this Burroughs machine. An electromagnet dangled from a helicopter picks up a car full of bad guys and dumps them in the ocean, demonstrating "the efficiency of Japanese technology." Assuming you can laugh at period sexism, the movie's practically a love letter to the Patriarchy ("In Japan, men come first, women come second," observes a Japanese agent as he introduces Bond's personal retinue of scantily-clad masseuses). John Barry's sumptuous, starkly emotional score is way better than this entertaining trifle deserves, however.