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Notes on my video, Dancin' (Please Register).
1.The soundtrack is a short version of "Streetsong 2" [3.48 MB .mp3], originally posted here.
2. The video is comprised of these animated .gifs swiped off the internet ("like stealing a candy bar from a drugstore"), plus a few more found at the link below. All are resized at 240 (tall) by 320 (wide) pixels. They run sequentially, with only one on the screen at a time. Each appears more than once (some many times), for a duration no less than four piano notes per appearance (and no more than 8). The order varies; the .gifs are mixed and matched and arranged with an eye to rhythm and the element of surprise. Speeds of individual .gifs also vary.
more animated gifs
3. After 1.25 minutes of this foolishness, video fades to black at end. "Trial version: please register" overlay will probably remain throughout the piece (I haven't decided yet).
The video is priced at $500,000. Proceeds after deduction of expenses for a private party in Terminal 5 will be placed in trust to be clawed over by attorneys for individual .GIF-makers.
Update: The completed video is here.
Thanks to all who posted encouraging comments about my first foray into video. The piece is coming along, it's now down to 50 MB and I jury-rigged a way to sync the audio. I was able to save a thumbnailized, super compressed copy at 9.5 MB, but it looks like, um, shit.
Many of the comments were about trying to get me to switch from a PC to the Macintosh ecosystem. I have more to say on this subject, but in brief, I don't know how I can continue to claim, in my artist statement, that "My work proudly inhabits the 'lo-fi' or 'abject' end of the digital spectrum" if I am using the ideal, "hi fi" system. I wound up in PC-land quite by accident, but it's the way I think most people end up there: it's the computer of choice of managerial types in the American workplace. At a certain point I had so much PC-made work on floppies (done on lunch breaks, of course!) that when my old Mac SE no longer cut it at home, I had no real choice about what to buy to replace it. But this is boring. I also perversely like being outside the orbit of the Mac fetishists, where things tend to look and get done a certain way. I've kidded elsewhere about the laptop chic of New York art events--part of me wants to join it, but there's also something to be said for using the tools of the proles. Think Carl Andre in his carpenter overalls. Oops, not a good example.
How It Works...The Computer. Good clear scans of individual pages show differences between the 1971 and 1979 editions of this (high school?) reference book. Highly informative, high kitsch appeal, what more could you ask for? (via cory a. & eyebeam reBlog)