tom moody
View current page
...more recent posts
Below: Duncan Hannah, from a show last spring at JG Contemporary/James Graham & Sons, New York, a painting based on one of the photos in Antonioni's Blowup. Hannah is of the '80s appropriation generation but never got his due as a theoretical painter--he's too low key and modest in his artful (and oddly affectless) borrowings and montagings of old magazine illustrations and movie photos. Nevertheless he keeps working and showing, a kind of rootless, misunderstood existence in the uptown-style painting galleries. He has his cult, but deserves broader appreciation.