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The interview Paddy Johnson did with Michael Bell-Smith and me has concluded, but I want to address one point Mike raised at the end, so I'm carrying the discussion over to my page. The other participants have blogs and can do the same.
MBS: [...] The work in the [Foxy Production] show was created with a gallery in mind and I wanted it to feel that way. Rather than playing off the tensions of bringing new media into the gallery - as I feel Tom has with his show – I wanted it to feel like a natural fit, again, like maybe this is just how we make art these days.
I don’t think flat screens in a gallery feel especially high tech. For me they’re less loaded than traditional TVs/monitors (which feel consciously lo-tech), high end CRT NTSC monitors (which tie into a history of video art in the gallery) or large projections (which feel cinematic or as Tom pointed out, aggressive).
For me, the containment of wall-mounted flat screen monitors is about putting the work on a physical and spatial par with painting, drawing or photography. I think creating that kind of familiar physical relationship between the viewer and the work may serve to combat the tech gap: at the very least the viewer knows how to deal with the piece on a physical level. [...]
TM: These are good points. I want to add that, although I recently did a blog post called "Showing new media work in a gallery: what's at stake," that isn't the main content of my show, any more than Mike's content was his delivery system. The gear I used is to deliver the strongest statement--which is to say, to get the most out of the pulsing abstractions, repurposing of a Star Trek sensor as a "simulacratracker" (as one commenter described it), and the embarassing acting out (or faux acting out) of Guitar Solo (which actually is on a tiny flat screen). I've argued with a couple of people about my use of tube TVs instead of LCDs for three of the pieces. I chose the tubes because they deliver a punchy image, punchier to me than what I'm seeing on flats these days. Tubes aren't that "retro"--J&R Music and Video still has a wall of CRTs for sale as an alternative to the wall of LCDs. I know, it won't last, but we're talking about the present. Translating animated GIFs from a computer to a single dedicated image on a TV adds an element of the unexpected, and a gritty texture I like. These choices aren't just to emphasize "new media in the gallery"--although that's definitely an aspect of the content.
One of my recent "out and about" pics is the Photo of the Week on NewMusicBox, the website of the American Music Center. Thanks to Molly Sheridan for the linkage.
"It's a number."
Here was the interchange with the White House press secretary after the number of Americans who died fighting the Cheney Administration's war of choice, against a country that did not theaten us, passed the 2,500 mark:
Q Tony, American deaths in Iraq have reached 2,500. Is there any response or reaction from the President on that?There really aren't words for how monstrous these people are. Not "the troops"--the people who needlessly put them in harm's way and justify their continued slaughter with this weak BS. To say nothing of the Iraqi civilian casualties, which the most conservative estimates put at an insane 38,000 to 42,000.
MR. SNOW: It's a number, and every time there's one of these 500 benchmarks people want something. The President would like the war to be over now. Everybody would like the war to be over now. And the one thing that we saw in Iraq this week is further testimony to the quality of the men and the women who are doing that, and the dedication and determination to try to ensure that the people of Iraq really do live in a free, effective democracy of their own creation and design.