tom moody
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In The Reeler this week Paddy Johnson reviews the movie 8 BIT, opening Saturday at the Museum of Modern Art. I'm in the film yakking a lot so this will be 8-Bit Week here at the blog. I'll post some back-and-forth email Johnson and I had re: the review (with her kind permission), and will give my own biased perspective on the film. Johnson notes that it's "the first movie of its kind to document and situate the 8-bit scene within contemporary art discourse," and quotes me as saying "the DIY (do it yourself), hacker, guerrilla mindset is a constant theme... One thing I like about the film is it casts its net wider than just a small scene." Meaning it encompasses a variety of lo-fi strategies for using the computer as an art making tool.
But what exactly does "8-bit" mean? In computing it can connote "small," "low res," or "old"--the second meaning interests me the most. Wikipedia says: "In computer architecture, 8-bit integers, memory addresses, or other data units are those that are at most 8 bits (1 octet) wide. [...] The Z80 and the MOS Technology 6502 8-bit CPUs were widely used in home computers and game consoles of the 1970s and '80s. Many 8-bit CPUs or microcontrollers are the basis of today's ubiquitous embedded systems.
"There are 28 (256) possible permutations for 8 bits.
"About 55% of all CPUs sold in the world are 8-bit microcontrollers or microprocessors."
It's about doing a lot with a little to reach the most, as I see it.
MOMA 8 BIT page
8 BIT website
image above is a detail from the poster by eBoy.
Digby has a good post about the "real reason the US is in Iraq," based on revelations from Bob Woodward's new book State of Denial. As we all know, VP Cheney and SecDef Rumsfeld were higher-ups in the Gerald Ford administration at the time the U.S. pulled out of Vietnam. Believing, as an article of faith, that the defeat was a result of hippies and "liberal media propaganda" and nothing else, these warped old specimens waited twenty-five years for the chance to get back into power to "do Vietnam right." "Getting back in power" meant biding their time until someone as limited mentally as the younger Bush got in office.
This all rings true to me. I know some people who come from the so-called "Silent Generation" of the '50s who believe everything wrong with America can be traced to the '60s counterculture: they viewed Clinton as a bong-smoking libertine and welcomed Bush Junior as the second coming of solid Christian values. No amount of evidence of Republican corruption (Enron, Abramoff), incompetence (the war in Iraq), skankiness (Mark Foley), etc. will ever convince these folks that the Republicans aren't the party of the angels. And no evidence of the good that came out of the counterculture (tolerance, civil rights, environmental awareness) will ever convince them that "dirty hippies" aren't the worst thing that ever happened in the history of the world.
We could feel sorry for them, but unfortunately their kind shows no sign of voluntarily relaxing its grip on power, so I'm afraid we must hate them, at least until they admit they were wrong about everything and promise to behave. It sounds "intolerant," but these people are scary.