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Someone assumed from a previous post that because I had work at the Digital Art and Video Fair (see above) that I was going to Miami. I AM NOT GOING TO MIAMI. It's bad enough having to see work by artists like Takashi Murakami in NY, much less having to travel to see it.
But, um, I certainly appreciate artMovingProjects taking my work down there so I can stay here in my ivory tower. The DiVa fair is being held in shipping containers on the beach, so a certain aesthetic distance is maintained from the general orgy of commerce. As befits the true vanguard.
1986
"It's My Beat" (Sweet Tee and Jazzy Joyce)
Jazzy Joyce (On the wheels) Jazzy Joyce (No one better)
Jazzy Joyce (Speedin' faster than an '86 Jetta)
Cold blooded terrorizin', baby, that you can bet
(And if you battle me, never let me see you sweat)
Hear it: 250 KB .mp3
1994
"9th Wonder (Blackitolism)" (Digable Planets with Jazzy Joyce)
Jazzy Joyce (On the wheels) Jazzy Joyce (No one’s smoother)
Jazzy Joyce (Phatter than a '94 Land Cruiser)
Where you from? (The Bronx, representin' like whatever fly)
Cool, are you slicker this year? (Yeah, why?)
Hear it: 250 KB .mp3
My criteria for this group of images were everything had to: (i) be printed landscape orientation, 13 x 19 inches, and (ii) have appeared on this blog since the printing of the last group of pictures done in this fashion. All are 100% rag paper, archival ink, blah blah. The grouping is at once an installation, twelve separate drawings (a term I'm stretching to include photography), a physical record of images disseminated online, and a reification of a particular slice of this blog. Some of the content I invented out of whole cloth; some are my interpretations of others' images. Except for changes in scale to fit the paper size, nothing was altered from the way it appeared online. These would be framed for a real-space presentation. Sorry if this sounds stuffy, just trying to nail down my concept.