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I'm thinking this piece is in the endgame phase but who knows, I could get mad and attack it again. My plan was to keep filling up the page but I'm kind of liking this double inverted tornado thing. Just saw the movie Twister again (one of my favorites) and I really like the shots at the end where they finally get data from Dorothy going up the F-5 funnel.
6 of 9 people found the following review helpful:
go Paul go!!!!!!!!!!!!!!!!!!!!!!!!!!, November 12, 2005A Kid's Review
I loved Paul Mccartney since 2004.
I love this cd my forite songs are: Too much rain, How kind of you, English tea and Jenny Wren
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Chris Ashley, Untitled, 2005, HTML, 420 x 360 pixels
Another nice one from Ashley, whose abstract html paintings make browsers all over the world burn with a hard, gem-like flame.
Interview with Sam Hamm, who wrote the screenplay for Homecoming, Joe Dante's Showtime antiwar zombie movie. Hamm was a year ahead of me at the University of Virginia, making waves even then as a student film critic and festival organizer. His program of Sam Fuller and Don Siegel films, called Shit Fest, had a flyer that got censored by the University--they made him black in the capital "I" so it read SHOT FEST. He got famous with the script for the Tim Burton Batman, and I'm a fan of his Monkeybone (directed by Burton protege Henry Selick), an amusing sleeper* film that happened to be a big critical and box office flop. I don't have Showtime so missed Homecoming, with its dead Iraq war vets rising from the grave to vote against the Republicans, but it's great to hear films like that can get made and distributed in this age of pro-authoritarian media. I like this comment of Hamm's from the interview:
The moment you attempt to address right-wing punditry, you are in a realm beyond parody. How do you top the vaudeville duo of Falwell & Robertson, announcing that 9/11 was God’s retribution for rampant homosexuality? How do you top that necrotic turd Bill O’Reilly, offering Coit Tower in San Francisco to Al Qaeda? A couple of decades ago you would’ve paid fifty cents to see these circus freaks in a tent, with the bearded lady and the dog-faced boy and the India rubber man. Now they’re part of our national political discourse.*heh heh--it's about a cartoonist plagued with sleep disorders.
This hype for the Aeon Flux movie is so full of shit:
"Aeon Flux is set 400 years in the future, in a supposedly utopian society, where a secret rebellion is brewing. In the coming war between the totalitarian government, who impose order with ruthless efficiency, and those who oppose it with ruthless abandon, the one person who may prove that individuals still matter is Aeon Flux. Flux (Charlize Theron) is the top operative in the underground "Monican" rebellion and when her assignment is to assassinate a leading government official she begins to realize that there is more to uncover than even she expected."All Hollywood adaptations now are about normalizing the weird. Find me some sort of moral in the cartoon series on which this movie is based. "Supposedly utopian?" Dystopian from the get-go. Ruthless efficiency vs ruthless abandon? The Breens and Monicans never fell into such neat categories. The amoral Aeon proved that individuals still matter by regularly playing tongue hockey with Trevor, the dictator. Such a bunch of crap comes out of Tinseltown. I don't want to see this one. I did just order the refurbished cartoon on DVD and am curious to see what was restored. Like, will the pool of blood Aeon kept waking up in in "Chronophasia" be returned to the original red color? (MTV freaked and tinted it brown.)
(Illustration from Mike Russell's "Not So Secret History of Aeon Flux"--thanks to the Eyebeam reBlog for spotting it.)
