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VVork and XYZ Art
What follows are some comments from a thread about the blog VVork. The commenters are sort of picking on that blog, including me, but there are defenses of it as well. To the extent problems are being identified with a certain type of conceptual art and a certain type of digital art related to it (particularly as represented on the Internet), VVork is a convenient focal point. I've made all the commenters anonymous since this was a casual discussion and people might not have intended for these remarks to be elevated to "formal" status--the identities are all in the thread, I just want to get at the essence of the discussion. Slightly edited--if any commenter wants to amend what's said here let me know.
* VVork makes 'clever' very unappealing, like some disease that art catches when it gets on the Internet... It's usually: "hey, i did X to Y and now it's Z...get it??!" [T]he perfect example ... is that piece where its a choir singing the NASDAQ stock exchange graph as music... Who cares? Is there anything interesting going on beyond the punchline? (..well, perhaps in the larger context of the artist's other work [which we aren't made aware of]?) VVork's format/context is ideal for one punchline after the other.. It's like Boing Boing for conceptual art. Boing Boing is to real life what VVork is to art.. But why reduce others' art into little nuggets that can be easily thrown around and reblogged and put into other random contexts on the net just like any other Internet garbage (i.e. YouTube vids of cats and sloths)??
* VVork is popular because they show lots and lots of pictures of art from around the world without a bunch of commentary. I love that! It's kind of weird how rare it is. But the structure implies a promise it can't fulfill. Unlike, say, magazine editors, bloggers have neither the resources nor the mandate to represent outside of their own cultural constructs. I think the feeling of sickness comes from the fact that we feel like we are seeing some kind of general trend, but really its just some dudes posting pictures. There are masses and masses of other art options, not to VVork's taste, crowding in the wings. If they wrote on the work, the subjective filter would become explicit, but the unique aspect of the site would be gone. If they took submissions it might get closer to an evolutionary model, but without an editorial mandate it would make no significant difference. Maybe a post-your-own art wiki would do it.
* VVork is provincial in the sense that it conveys the impression, through its sheer relentlessness, that anybody in the world can be a player as long as you're making [the type of work we're discussing]. Getting seen on VVork [might be] an alternative to "moving to New York" (which people still do, in large numbers, sorry) but everything starts looking the same because of the lack of criticality within the vehicle itself. It's a blog, as you say, not the Global Museum of Great Art. Just because they are popular does not mean they are an institution that has a responsibility to anyone. As bloggers we are free to put in our two cents about their program and they are free to listen or not as they see fit.
* Seems to be two thingies going on here, one is vvork's presentation ... the other is the.. "X - Y - Z" style of archetype vvork art. the XYZ thing is, to me, natural to computers...the data comes in, who cares from where/as what, you can do something to it, and then the data goes out - also who cares to where/as what. so you wanna take stock market info [x] and turn it [y] into music [z], or you wanna use your atari joystick [x] to change the color and placement of text [y] on a tv screen [z] or you wanna take your whatever "physical computing" sensor interface [x] and use it to turn [y] lights on an off on a building [z]...it's like every single piece ends up being just an iteration of the same translation exercise. i suppose im describing something as much NYU ITP/MIT style art as vvork art, but regardless it's one of the reasons why i don't pay much attention to any of it...and i dont make that stuff [or any interactive art] cos i dont wanna to get stuck using the rest of my life in an attempt to make the "best" XYZ.
The Washington Establishment--Life During Wartime
From the New York Times:
A few nights after he resigned his post as secretary of state two years ago, Colin L. Powell answered a ring at his front door. Standing outside was Prince Bandar, then Saudi Arabia’s ambassador to the United States, with a 1995 Jaguar. Mr. Powell’s wife, Alma, had once mentioned that she missed their 1995 Jaguar, which she and her husband had traded in. Prince Bandar had filed that information away, and presented the Powells that night with an identical, 10-year-old model. The Powells kept the car — a gift that the State Department said was legal — but recently traded it away.From the Daily Howler:
POWELL (10/14/04): Every couple of years, Ted [Koppel] will come by my house on the spur of the moment and we'll sit in the back yard and have a cup of coffee. And he's usually driving one of his hot cars. He always has a fast car of some kind. And so about, oh, four or five years ago, he came by the house and he had this real muscle car, and after we had a cup of coffee and chatted for a while, he says, “You've got to take it out and drive it, Colin. You've just got to drive this thing. I want you to feel that power.”
I said, “Okay, Ted. You want to go with me?”
“No, you go. I'll just wait right here in front of the house.”
And so I go out and up 123 in McLean. I will not tell anyone how fast I was going by the time I hit the CIA turnoff, but it didn't take me long to get there. And I came back around, pulled up in front of my driveway, and felt something go boom. And I got out of the car and the right rear tire was flat. There must have been about two inches of air left in it.
I said, “Oh, my gosh, Ted. I'm so sorry. I messed up your car.”
And he comes back, “Oh, it's okay, it's okay. I've got to go now.”
So I went to the back of the car and I looked at the tire. There was no tread on it. The wires were coming through. This guy had sent me out to speed up and down 123 with this car that had no tires on it. And I said, “Ted, how much are they paying you at ABC, man? Surely you can do better than this.”
Travis Hallenbeck found this online "build-a-face" program that excels at making rather hideous visages, as he has demonstrated. No one can touch
Juan Cole's plan for Iraq: the US announces it's withdrawing but sticks around to help negotiate a settlement. To be sung to the tune of "It's Getting Better" or "I Whistle a Happy Tune."
Saudi Arabia's King Abdullah has credibility with Iraq's Sunnis, especially now that he has denounced the US occupation as illegitimate. They could trust his representations, which would include Saudi development aid in places like Anbar province. Since the Sunnis are the main drivers of violence in Iraq, it is they who must be mollified, bribed, cajoled and threatened into a settlement. The Shiites will have to demobilize the Mahdi Army and Badr Organization as well, and Iran will have to commit to working with the Maliki government to make that happen. A UN peacekeeping force, perhaps with the OIC (where Malaysia recently proffered troops), would be part of the solution.And bunnies and kittens will scamper through the fields...
On the basis of a settlement at Taif II, the US military should then negotiate with provincial authorities a phased withdrawal from the Sunni Arab provinces. The Sunnis will have to understand that this departure is a double-edged sword, since if they continued their guerrilla war, the United States could not protect them from Kurdish or Shiite reprisals. Any UN or OIC presence would be for peacekeeping and could not be depended on for active peace-enforcing. The rewards from neighbors promised at Taif II should be granted in a phased fashion and made dependent on good-faith follow-through by Iraqi leaders.
From all this the Sunni Arabs would get an end to the US occupation--among their main demands--as well as an end to de-Baathification and political marginalization. They would have an important place in the new order and be guaranteed their fair share of the national wealth. Shiites and Kurds would get an end to a debilitating civil war, even if they have to give up some of their maximal demands. The neighbors would avoid a reprise of the destructive Iran-Iraq War of the 1980s, which killed perhaps a million people and deeply damaged regional economies. And by ending its occupation, the United States would go a long way toward repairing its relations with the Arab and Muslim world and thus eliminate one of Al Qaeda's chief recruiting tools. A withdrawal is risky, but on the evidence so far, for the US military to remain in Iraq is a sure recipe for disaster.
Why in the world would the Iraqis ever trust the US government to handle this? They don't want to be plundered and exploited by stateless capital any more than the rest of us do.
Zircon structure - top and side views. From website for Steven Dutch's earth science class at University of Wisconsin - Green Bay (this is his personal site, not the school's--either way, the drawings are great). More (hat tip to Travis)
Sounds like Mike Gravel was the hero of last night's Democrat candidate debates (I didn't watch--just read the postmortems). Interesting to see the differences between antiwar.com's account, which quotes Gravel's plainspoken words skewering the other candidates, and the New York Times version, which hews to the line that he was the "comic relief" and marginalizes his contributions. Dave, in the comments, said he was a bit dotty but his words certainly aren't. Here's the antiwar.com version.
Gravel...got the issues of war and peace exactly right.
Some of these people [the other candidates] frighten me. When you have mainline candidates that turn around and say "there's nothing off the table with respect to Iran. That's code for using nukes, nuclear devices. I’ve got to tell you, if I'm President of the United States, there will be no preemptive wars with nuclear devices. In my mind, it's immoral, and it’s been immoral for the last 50 years as part of American foreign policy.
Moderator Brian Williams then asked Gravel who on this stage worries him so much. Gravel said the top tier candidates worried him.
Gravel first took aim at Joe Biden:
Joe, you have a certain arrogance, you want to tell the Iraqis how to run their country. We should just play "get out." It's their country, they're asking us to leave, and we insist on staying there, why not get out. You hear the statement, "the soldiers will have died in vain." The entire deaths of Vietnam died in vain. You know what's worse than a soldier dying in vain? More soldiers dying in vain.
Gravel slammed fellow Democrats' approach on continuing to fund the war:
Well, first off, understand that this war was lost the day that George Bush invaded Iraq on a fraudulent basis. Understand that. Now with respect to what’s going on in the Congress, I'm really embarrassed. So we passed – and the media's in a frenzy right today with what has been passed. What has been passed? George Bush communicated over a year ago that he would not get out of Iraq until he left office. Do we not believe him?
Gravel’s alternative:
How do you get out? You pass the law, not a resolution, a law making it a felony to stay there.
Make the illegal war actually illegal. That’s the ticket!
But the best moment came after Barack Obama said that Iran having nuclear weapons will be a major threat to the US: "They are in the process of obtaining nuclear weapons. I don’t think that is disputed by any expert." (At this point, Kucinich interrupted that it is disputed.) Barack continued: "They are the biggest state sponsor of terrorism, with Hezbollah and Hamas." Kucinich continued to interrupt. Obama then talked of the risk of nuclear weapons reaching the hands of terrorists.
Gravel (who happily was next in line) confronted Obama:
We’ve sanctioned them [Iran] for 26 years. We scared the bejesus out of them when the President said they’re "evil." These things don’t work. We need to recognize them.