Geogaddi, the new Boards of Canada CD, is good, but I actually prefer their four-track release from 2000, in a beautiful place out in the country, with its herky jerky rhythms and subtle allusions to David Koresh. The standout track from the new CD is "1969," with its Stephen Sondheim-like vocoder duet, ending on the repeated phrase "1969 in the sunshine." Meaning "1969 basking in the cathode rays cast by a dreary after-school special from the Canadian Film Board, waiting for the Big One to drop." Picked up three late ('97-'98) CDs by Larry Heard, "house music's one true bona fide genius"--an assessment from Mixmag I'm inclined to agree with. Heard processes Sly Stone, Pat Metheny, and Happy the Man's Kit Watkins through house's 4/4 thump and arpeggiated loops, pulling the warmest imaginable sounds from those machines of his in Memphis. Heard rules! Finally getting around to early '90s Alec Empire, when he was still a My Bloody Valentine-meets-ambient groove machine. Limited Editions 1990-94 is highly recommended and still available. The first third of John Tejada's Backstock is a nice self-mix of his own tracks; gets a little dull and then perks up at the end. More consistently exciting is Roni Size's mix of recent Full Cycle tracks on Through the Eyes. Yes, I still like Drum and Bass. Some stuff bought blind off Forced Exposure: Electronic Cosmetics on Salo (a nice comp of recent, tuneful Berlin techno) and Monolight's Free Music, a bit more abstract but very listenable selection of three-synths-and-an-effects-deck chittering.
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Geogaddi, the new Boards of Canada CD, is good, but I actually prefer their four-track release from 2000, in a beautiful place out in the country, with its herky jerky rhythms and subtle allusions to David Koresh. The standout track from the new CD is "1969," with its Stephen Sondheim-like vocoder duet, ending on the repeated phrase "1969 in the sunshine." Meaning "1969 basking in the cathode rays cast by a dreary after-school special from the Canadian Film Board, waiting for the Big One to drop." Picked up three late ('97-'98) CDs by Larry Heard, "house music's one true bona fide genius"--an assessment from Mixmag I'm inclined to agree with. Heard processes Sly Stone, Pat Metheny, and Happy the Man's Kit Watkins through house's 4/4 thump and arpeggiated loops, pulling the warmest imaginable sounds from those machines of his in Memphis. Heard rules! Finally getting around to early '90s Alec Empire, when he was still a My Bloody Valentine-meets-ambient groove machine. Limited Editions 1990-94 is highly recommended and still available. The first third of John Tejada's Backstock is a nice self-mix of his own tracks; gets a little dull and then perks up at the end. More consistently exciting is Roni Size's mix of recent Full Cycle tracks on Through the Eyes. Yes, I still like Drum and Bass. Some stuff bought blind off Forced Exposure: Electronic Cosmetics on Salo (a nice comp of recent, tuneful Berlin techno) and Monolight's Free Music, a bit more abstract but very listenable selection of three-synths-and-an-effects-deck chittering.
- tom moody 7-11-2002 3:48 am