Simon Reynolds has finally traded the browser-filling text-blocks on his website for the semi-browser-filling text blocks of a weblog, and it's worth checking regularly. Currently up are his 2002 Faves. One of the best (practically only) writers on electronic dance music, he helped me get a handle on all the breakbeat techno & hardcore I was obsessively taping off radio in the early '90s, so I was pleased to see I owned 3 discs in his Top Ten: Kaito and Boards of Canada weren't surprising, but I can't believe he endorses Recloose's Cardiology! In an earlier post I described it as "music to make street-purist Simon Reynolds curl up in the fetal position." I love that CD, of course, but what a shock.
He still maintains his homepage, and the articles there on the Electroclash scene and the movie 24 Hour Party People are both excellent.
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Simon Reynolds has finally traded the browser-filling text-blocks on his website for the semi-browser-filling text blocks of a weblog, and it's worth checking regularly. Currently up are his 2002 Faves. One of the best (practically only) writers on electronic dance music, he helped me get a handle on all the breakbeat techno & hardcore I was obsessively taping off radio in the early '90s, so I was pleased to see I owned 3 discs in his Top Ten: Kaito and Boards of Canada weren't surprising, but I can't believe he endorses Recloose's Cardiology! In an earlier post I described it as "music to make street-purist Simon Reynolds curl up in the fetal position." I love that CD, of course, but what a shock.
He still maintains his homepage, and the articles there on the Electroclash scene and the movie 24 Hour Party People are both excellent.
- tom moody 1-11-2003 9:49 pm