...more recent posts
The ballad of John Henry came up the other night. We dated it to the late 1800's since it involves railroads, but it seems to be more freighted than that (sorry). It's not a railroad song the way Casey Jones is, though it relates to the building of the railroads. It's not really a work song, either, though it bears some similarity to Take This Hammer (both songs sung by Lead Belly). TTH would have been sung while actually swinging a hammer, with an appropriate exclamation for each strike, even as the singer dreams of walking away from the job. John Henry is more of a story song, and a complex one at that. Man versus machine is the main theme, and man wins, but kills himself in the process. Seems like a theme that would appear earlier in the Industrial Revolution, but I'm not coming up with any examples off hand. Anybody know any tales of weavers outpacing the new mills, or suchlike? Beyond that, there are racial and sexual angles that have sometimes been bowdlerized. This page goes over some of the ground. Apparently there's some basis in fact, and the West Virginia tunnel in question is certainly real, but the truth gets harder to discern over time (oh wait, that's a work of fiction?). Although JH is almost always assumed to be a black man, the song seems to have had more resonance in the 30s than the 60s. Perhaps his noble victory in defeat was more appealing to the labor unionizers than to the civil rights movement?
another reason to hate IRWIN
Dud of the Month
THE LANGLEY SCHOOLS MUSIC PROJECT Innocence and Despair (Bar/None)
Hans Fenger was a gifted teacher on a mission. Cutting keepsake vinyl for his kiddie choir was a great way for him to reward past involvement while inspiring more. Irwin Chusid is a tedious ideologue with a hustle. Turning that vinyl into a collectible CD is the latest way for him to remind the converted that artistic intention is reserved for the beholder in these postmodern times—especially if the beholder has a hustle. A few of these songs were great, a few of them sucked, and every one was more innocent and/or desperate in its original version except Barry Manilow's (but not the Bay City Rollers'). A special annoyance is the reportedly tear-jerking "Desperado" by a 10-year-old who doesn't seem to have any idea what the song means, which is to her credit as a human being but not as a singer. The sole revelation is Brian Wilson, whose six songs still sound like themselves. C MINUS
-christgau
Waitaminnit, is this what one has to look forward to in Montana?
Blizzards, hunger, scorching sun, forest fires, the neighbors, and more…