the best piece i ever read in index magazine was a reprint of a dialog between burroughs and terry southern. they are both sitting at a table riflng through a "mixed bag" of pills that terry brought. a great discussion that included bills observations on some of the pills from the baggie and southern providing some details on the writing credits for the film easy rider. unfortunately that meeting is not included in the index magazine
interview archive.
In a perfect world, Jonathan Nossiter's documentary Mondovino would impel as many tourists to Burgundy as those following Miles and Jack's sodden strides through Santa Barbara wine country in Sideways. But where Alexander Payne's Oscar-winner appeases, Mondovino agitates—it's a radical film from a radical filmmaker, a spear at the heart of wine and film industries alike, and a tour de force of investigative journalism. (It opens at Film Forum March 23; see J. Hoberman's review.) Over four years and eight countries, the trained sommelier Nossiter—whose previous films include the Sundance prizewinner Sunday and the anti-globalist tract Signs & Wonders—dipped his tipsy-cam into the zany demimonde of winemakers, critics, and their dogs. The result isn't just a film: Mondovino, which praises cosmopolitanism over globalism, is a way of life.
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New York wine importer Neal Rosenthal, one of the most eloquent and passionate "terroirists" in Jonathan Nossiter's Mondovino, describes the wine industry's ongoing battle between small local producers and globalized big money as one between "the resistance and the collaborators." Rosenthal, who met Nossiter when the filmmaker-sommelier was consulting on the wine list for Balthazar several years ago, has been mounting his own resistance for nearly three decades now, searching the vineyards of France and Italy for artisanal makers who share his appreciation of wine as an agricultural product. "We work directly with people who grow their own grapes," he says. "There's an old saying that 90 percent of the wine is made in the vineyard. I look for wines that express their own terroir—the sense of a place—and the particularities of a vintage. And I'm not afraid to have different wines every year—that's nature."
Bill, where is the thread on the shipping container space with the big nature photos that Roberta slammed?
yo la tengo streaming live video cover song requests on wfmu right now for a couple of hours.
hosts tom scharpling and gaylord fields - go to
main page and click wm stream
Babu:
The third surprise was that the menu came without prices. Instead, guests were invited to eat, enjoy, and then, at the end of the meal, pay what they thought it was worth. “I’d rather work out the kinks in the kitchen first,” Payal Saha, the restaurant’s owner, explained the other day, sitting at a corner table of Babu, which was about a quarter full of couples quietly eating and mentally calculating the value of their experience.
Now if only I could pay what I wanted at Babbo...
ext
reme ornithology: Mark Obmascik investigates the world of extreme bird watchers--enthusiasts who compete in the 365-day birdwatching marathon--in his new book The Big Year:
A Tale of Man, Nature, and Fowl Obsession.
a pretty amazing short "
film" by michal levy.
(15 min. to load over my dial-up)
There is a new works on paper show - Brice Marden, Al Taylor and Terry Winters at Nolan/Eckman. March 5 - April 9 2005.
Their website is here.
560 B'way, worth a look-see, in my humble opinion.
Motorcycle Mayhem, a new (to me at least) one from My New Filing Technique is Unstopable.
Frank Luntz lists
14 words Republicans are not to say.
"No, man," I told him, "I hate those things, all that paper and those rubber bands. But I like you. I don't need to read it. Just tell me a little about it and I'll give you the blurb."
It was one of my best: "a howl of laughter from the abyss of horror, a comic nightmare from the sick, troubled sleep of this century's desolate end." And it appeared directly above Cubby's blurb.
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n tosches