tomorrow is national doughnut day.
Better late than.....
FOR IMMEDIATE RELEASE
Michelle Segre
Lost Songs of the Filament
June 1 - June 30, 2012
Opening Reception: Friday, June 1, 6-8pm
Derek Eller Gallery is pleased to present an exhibition of new sculpture by Michelle Segre.
Incorporating a variety of materials including plaster, wire, mesh, and organic matter as well as past works, Segre creates freestanding, singular pieces that transport the viewer into a spindly, off-kilter world of enigmatic presences. An overall state of flux is the driving force in this work, where each piece appears to have evolved through an accumulation of detritus, enmeshed together through the growth process of a creeping fungus. There is a juxtaposition of unexpected materials and motifs - melting blobs of plaster co-habitate with crystalline frozen metal forms. Elements the size of pushpins occupy the same structure as pitchforks and giant metal rings. Some pieces appear to contain weirdly encoded information from a fictional alien culture; in others, remnants of a procedure that has been cut short by some unseen force. An enormous chicken bone becomes a captive specimen in a primitive display apparatus of wires and rods. Strings, yarns, and other linear elements, draw through the space in and around, intersecting with amorphous bodies of papier-mâché and creating dense, web-like structures that evoke the detailed cellular patterns Segre has often used in her drawings. One work seems to be a collector, a gatherer whose tendrils ensnare the matter in its path, a meal of sculptural plankton. In another, skeletal forms encircle a center eye which is perched to receive or transmit information, the energy lines emitting into the space around it. The fat and the skinny, the flat and the bulbous, the plastic and the raw, grind against each other in a noisy, bristly racket. Segre's work hovers at an edge where everything remains fragmentary and incomplete, on the brink of coming apart, refusing to fulfill expectations in any predictable way. The process is improvisational and fluid, resulting in pieces that are both playfully casual and intense.
Michelle Segre lives and works in New York. Her work has been included in exhibitions at the Tang Teaching Museum, The Kemper Museum of Contemporary Art, P.S. 1 Contemporary Art Center, and The Aldrich Museum of Contemporary Art. This will be her fourth solo show with the gallery.
North Room: André Ethier, Kinda French
Derek Eller Gallery is pleased to present an exhibition of new paintings by Toronto-based artist André Ethier.
In his fifth show at the gallery, André Ethier contests the borders of irony and earnestness, combining self-deprecating humor with sincere appreciation for banalities and everyday strangeness. He approaches each work without a definitive subject in mind, he improvises the content and compositions, employing an array of application techniques to create luscious, painterly surfaces. Evoking art historical precedents from Francis Picabia to Greek black-figure pottery, Ethier conjures intense imagery that is both uncanny and strikingly familiar.
André Ethier has had solo exhibitions in Los Angeles, Torino, Miami, Copenhagen, Toronto, and Madrid. His work was recently featured in Fairy Tales, Monsters, and The Genetic Imagination, Frist Center for the Visual Arts, Nashville, TN, Portraits: Cabinet de Curiosités, galerie bertrand & gruner, Geneva, Switzerland, and André Ethier and Janet Beckhouse at Neon Parc, Melbourne, Australia.
Derek Eller Gallery is located at 615 West 27th Street, between 11th and 12th Avenues. Hours are Tuesday - Saturday from 11am - 6pm. For further information or visuals, please contact the gallery at 212.206.6411 or visit www.derekeller.com.
Bill's new work
having soccer withdrawal? yeah, me neither. but you may be suffering from nba playoff overkilll in which case tonights us v. brasil friendly may be the tonic. 8pm eastern on espn 2.
History Ch running Hillbilly: the real story and a multiple part drama on the hayfields and mccoys.
I have some Carhartt pants that have a special cell phone pocket, about where a hammer loop would be. In my haste to start a load of laundry, I failed to check that pocket.
So now I have a Droid 2 that's an unhappy phone. It powers up, but no display. I moved service back to my Droid 1, which other than the keyboard is a mighty fine phone. Unlike the Droid 2, the basic telephony UI doesn't have the appearance of a UI designed by someone 20 years away from presbyopia. And the speaker phone volume goes all the way up to annoying!
So I check on the Droid 4. Five hundred and forty nine dollars, retail, with no contract renewal. Or $99 for a refurb unit -- but only with a contract renewal. Somewhere in between, perhaps half retail, is a new unit with contract renewal. Contract renewals get rid of the grandfathered "unlimited data". I don't use anywhere near the limit. But goddammit, I might. One day.
To me this pricing is like Safeway, but more insidious. If you ever go in a Safeway, you'll notice the way they do "sale" pricing. Do you want to pay "absolutely fucking ridiculous price" or do you want to pay "discount price that only comes with a discount card." What Safeway is doing is coercing you to submit to data tracking.
VZW is practicing the same sort of coercion, but they're coercing customers into new contracts. And they get to do it by talking about "subsidized price". They're doing you a fucking favor.
So, I'm a Droid 1 user.
So now I have a Droid 2 that's an unhappy phone. It powers up, but no display. I moved service back to my Droid 1, which other than the keyboard is a mighty fine phone. Unlike the Droid 2, the basic telephony UI doesn't have the appearance of a UI designed by someone 20 years away from presbyopia. And the speaker phone volume goes all the way up to annoying!
So I check on the Droid 4. Five hundred and forty nine dollars, retail, with no contract renewal. Or $99 for a refurb unit -- but only with a contract renewal. Somewhere in between, perhaps half retail, is a new unit with contract renewal. Contract renewals get rid of the grandfathered "unlimited data". I don't use anywhere near the limit. But goddammit, I might. One day.
To me this pricing is like Safeway, but more insidious. If you ever go in a Safeway, you'll notice the way they do "sale" pricing. Do you want to pay "absolutely fucking ridiculous price" or do you want to pay "discount price that only comes with a discount card." What Safeway is doing is coercing you to submit to data tracking.
VZW is practicing the same sort of coercion, but they're coercing customers into new contracts. And they get to do it by talking about "subsidized price". They're doing you a fucking favor.
So, I'm a Droid 1 user.
book illustration blog stopping off place. Lots of back posts to riffle through
PEGGY!!!!!!!!
well, i'm sure everyone has seen this already, but if not, it's pretty sweet.
bill did you post this house being built??
$175 night rental....
http://www.vrbo.com/132726
avant-guard toys
Egg cooked in a Scanpan titanium-ceramic non-stick pan (plain): some weird hybrid between fried and poached egg. Some sticking, but the pan is allegedly immune to metal cooking tools, which I used. White, firmness to taste, no real browning at moderate heat; yolk, kinda warm and runny.
Next up, the depleted yolk omelet (because omelets should be at least pale yellow).
[The photographer accidentally ate the dry-poached egg during staging.]
Next up, the depleted yolk omelet (because omelets should be at least pale yellow).
[The photographer accidentally ate the dry-poached egg during staging.]
( rip al Gordon ) He also wrote for sitcoms, including "That's My Mama," "Carter Country," "Hello, Larry," "Three's Company" and "227."
Heel and toe breaking. Is this accurate Mark?
after about five seconds of the trailer for gatsby, i thought to myself "what is this, some baz luhrmann wannabe?" nope its baz luhrmann. at least, carey mulligan looks fetching as mia farrow daisy buchannan.
vases berlin.
girls! girls! girls!
