back yard bread oven

​The way you know an Indy car means business is when you can hear it pushing wind before it, a whoosh just ahead of the engine's scream, and now down the front stretch you can hear it, this hurricane with a siren inside it, heralding the comeback of A.J. Foyt, and now there is a whooshwheeeeeeeYOW as he passes, the black Lola moving so fast that your eyes can't follow it smoothly; it sort of jumps and skips across your field of vision. When an Indy car starts to play that jump-skip trick on your eyes, the rule of thumb is that it's doing about 230 mph on the straight.30 And all that can harness all that fury safely is the centrifugal force of that sharp left turn into Indy's first corner.

Beer can camping stove. Or home cooker when the power's out. 

Reproduction hallway carpet from The Shining.

helen and edgar at the public
Venice beach 70's
chickpea chapati
spoiler: Johnnie Walker Black
anson mills

via chef & the farmer
binge watching mind of a chef.

was gifted an old ipod touch. heres my first epic time waster.

somm via Netflix
in the realm of the senses on hulu plus

(criterion collection)
orchard St '48-51

"The toughest part of writing about San Francisco's Jejune Institute "thing" was trying to describe it, something I attempted to do for this site twice. In a first piece about the citywide game, which was put on by a group called Nonchalance, I went with "[p]art public-art installation, part scavenger hunt, part multimedia experiment, part narrative story." For the follow-up, I added "underground alternate reality game" to the mix. Both summaries missed the mark, partly because of my own inadequacies as a writer, but also a symptom of the project's sprawling originality—it wasn't like anything else out there, and that was part of what made it so fantastic. Thankfully, Spencer McCall went ahead and made The Institute, a 90-minute documentary about the project that neatly encapsulates what made this whole whatever-it-was so wonderful."

saying it in black and white.

On the road home to Brownwood in her green ‘74 Cadillac with the custom upholstery and the CB radio, clutching a pawn ticket, for her $3000 mink, Candy Barr thought about biscuits. Biscuits made her think of fried chicken, which in turn suggested potato salad and corn. For as long as she could remember, in times of crisis and stress, Candy Barr always thought of groceries. It was a miracle she didn’t look like a platinum pumpkin, but she didn’t: even at 41, she still looked like a movie star.

john oliver leaving daily show for hbo.

Brooklyn’s Mansion on the East River

"CASTELLO CAVALCANTI" by Wes Anderson

Bourbon family tree.

starbucks coffee really is awful. 

'The Worst 12-Month Stretch' in the History of Pay TV

little red devil