My friend David Szafranski sent this link for a minimal-music movement (or rather, "loose grouping") called lowercase sound. Dave notes: "Interesting web design based on the Mac System 6 operating system
circa 1989, the one that fits entirely on a single floppy disk."
I've seen her around the neighborhood before, although I admit I had no idea she was a certifiable genius. Seems weird enough that one of you guys must know her. Anyway, she's clearly a marketing genius. The site, sadly, doesn't touch on her more visionary pursuits, but it does offer over a thousand pairs of elf panties for sale. Oh wait, maybe that is the work. From the site:
Unfortunately, art stardom is one of the least lucrative career paths a gal can take. Despite the fact that I'm a creative genius, I have a lot of trouble making ends meet because I'm wrapped up in my visionary artistic pursuits. Not only that, I have so many pairs of panties, I don't know what to do with them. So I thought it would be both altruistic and profitable to open up a superstore, so to speak, filled with my panties. To make matters worse I am a compulsive shopper. At last count, I had 1,172 pairs of panties, and my collection just keeps on growing. By purchasing apair of my "gently worn" panties, not only will you get to enjoy unfathomnable sensory pleasures, you will be supporting the avant-garde and contributing to the course of art history as we know it.(via. boing boing)
I found Peter Schjeldahl's New Yorker piece on Brice Marden interesting, not so much because I like Marden (which I do), but for its evocation of the days when "abstract painting used to be the prow of art history", and of "how much people used to care" about it. I think I was talking to Jim about this, after viewing Diti's paintings. I was reminiscing about the days when her work, which treads a line between representation and non-objectivity, would have been objectionable in some ideological camps. I don't think these battle lines matter much any more. I was in art school during the waning years of that era, which ultimately came to an end in the 80s, under a tide of Expressionism, Europeanism, and self-consciously dumb art. I can still remember the sheer thrill of commitment; the pride one took in adhering to the most obscure and obdurate argument, but I guess I shouldn't be surprised that some people rebelled against the intellectual pressure that was applied. It was like having the Inquisition sit you down in front of two virtually identical monochrome paintings and you had to explain why one was great and the other was not just bad, but a moral abomination.
As a student, most of this came down to me in an oblique manner, but I did have one great teacher, Jeremy Gilbert-Rolfe, who talked about this sort of thing straightforwardly. He was a rakish Brit who came on like William F. Buckley doing Oscar Wilde. He wrote an Art Forum cover piece on Marden, comparing his monochromes to Cézanne, which was a notable brick in the edifice of both their reputations. He really made ideas exciting, and if he used his caustic wit to trash something you liked, the ego damage could be severe. A few times he brought in his friend, the poet David Shapiro. He was also a formidable intellectual, but of a more tolerant sort. He argued convincingly for "pluralism", which to me meant giving full and fair consideration to all sorts of art (through actual experience), before coming to any final judgements. But we weren't going to just suspend judgement.
Today we have multiculturalism and political correctness, which may be corrective, but too often dispense with the intellectual underpinnings which should allow a pluralist to make a few judgements here and there. The art world is a duller and dumber place than it was in the 70s, albeit more tolerant. I'd say tolerance is a good thing, but it depends on what you're tolerating.
Anyway, Jeremy is still out there, though his voice is not heard so widely. He was purged from Parsons before my senior year, because all his students stopped painting still lives and started painting squares. Betraying his mentors and sleeping with the coeds didn't help either. I think he ended up in California where he has influenced new generations of student seekers. For all his hard-ass intellectualism, he has a great take on the subversive uses of pleasure and beauty, which continues to influence me, in epicurian as well as aesthetic matters. You can get an idea of his style from these two excerpts, and here's a hilarious review featuring a knock-out of Jerry Saltz. Gotta pick up his latest.
Oh, and Schjeldahl should know that Ryman tops Marden. I mean, you might rather look at a Marden, but that's hardly the point. As for Olitski, he's just the American extension of Western Imperialism, and obviously a moral abomination. (Just kidding; I'm a pluralist, honest…)
As a student, most of this came down to me in an oblique manner, but I did have one great teacher, Jeremy Gilbert-Rolfe, who talked about this sort of thing straightforwardly. He was a rakish Brit who came on like William F. Buckley doing Oscar Wilde. He wrote an Art Forum cover piece on Marden, comparing his monochromes to Cézanne, which was a notable brick in the edifice of both their reputations. He really made ideas exciting, and if he used his caustic wit to trash something you liked, the ego damage could be severe. A few times he brought in his friend, the poet David Shapiro. He was also a formidable intellectual, but of a more tolerant sort. He argued convincingly for "pluralism", which to me meant giving full and fair consideration to all sorts of art (through actual experience), before coming to any final judgements. But we weren't going to just suspend judgement.
Today we have multiculturalism and political correctness, which may be corrective, but too often dispense with the intellectual underpinnings which should allow a pluralist to make a few judgements here and there. The art world is a duller and dumber place than it was in the 70s, albeit more tolerant. I'd say tolerance is a good thing, but it depends on what you're tolerating.
Anyway, Jeremy is still out there, though his voice is not heard so widely. He was purged from Parsons before my senior year, because all his students stopped painting still lives and started painting squares. Betraying his mentors and sleeping with the coeds didn't help either. I think he ended up in California where he has influenced new generations of student seekers. For all his hard-ass intellectualism, he has a great take on the subversive uses of pleasure and beauty, which continues to influence me, in epicurian as well as aesthetic matters. You can get an idea of his style from these two excerpts, and here's a hilarious review featuring a knock-out of Jerry Saltz. Gotta pick up his latest.
Oh, and Schjeldahl should know that Ryman tops Marden. I mean, you might rather look at a Marden, but that's hardly the point. As for Olitski, he's just the American extension of Western Imperialism, and obviously a moral abomination. (Just kidding; I'm a pluralist, honest…)
NEWS FLASHBACK:
From a very close friend of the band comes forth the rumor
that the Grateful Dead will play again, minus one little guy....
From a very close friend of the band comes forth the rumor
that the Grateful Dead will play again, minus one little guy....
we went to South Beach and i didnt understand why it was so hard to get a hotel....when we arrived we landed into day 2 of Hip-Hop Weekend, 350,000 people parting all over South Beach....we planned to eat as cheap as possible but did try out two very good spots Wish and Nemo's...people spoke highly of Escopazzo (mama's still making the pasta), Nobu, Pecul, Grillfish, and Pacific Time but we didnt try...one nice lunch spot is Spris....
this is my pals, taken from NY Mag web mail...will be in next issue...
The Basil
Six years ago, Supoj Pornpitaksuk and chef Lek Suntatkolkarn opened Holy Basil in an East Village alcove above Telephone Bar & Grill. After those humble beginnings, they branched out first to the West Village with Little Basil, and then most recently and ambitiously to elegant new premises in Chelsea. At The Basil, Suntatkolkarn (pictured) justifies higher prices with intricate presentations of such inventive East-West hybrids as a Waldorf-like pomelo salad with coconut-peanut dressing, and a porterhouse steak with sautéed morning glory and galangal-tamarind sauce (entrées, $16 to $25). Equally impressive is the wine list, compiled by regular customer Mark Moody, a civil litigator and freelance wine writer whose inspired selection of food-friendly bottles at infinitesimal markups is just the thing to wean spicy-food fans off Singha.
206 West 23rd Street
212-242-1014
The Basil
Six years ago, Supoj Pornpitaksuk and chef Lek Suntatkolkarn opened Holy Basil in an East Village alcove above Telephone Bar & Grill. After those humble beginnings, they branched out first to the West Village with Little Basil, and then most recently and ambitiously to elegant new premises in Chelsea. At The Basil, Suntatkolkarn (pictured) justifies higher prices with intricate presentations of such inventive East-West hybrids as a Waldorf-like pomelo salad with coconut-peanut dressing, and a porterhouse steak with sautéed morning glory and galangal-tamarind sauce (entrées, $16 to $25). Equally impressive is the wine list, compiled by regular customer Mark Moody, a civil litigator and freelance wine writer whose inspired selection of food-friendly bottles at infinitesimal markups is just the thing to wean spicy-food fans off Singha.
206 West 23rd Street
212-242-1014
its never too early to start blogging.
Is anyone planning on getting together tonight? I thought I'd bring it up a little earlier in the day. I've been home with a cold and am feeling better would love to get out and see my pals.
spielberg interview in wired.
kirks chair up for auction.
Still getting his war on. "Goddamn! I'm sick of these fake-ass terrorist alerts."
What's up with the Dick Armey reference. I missed that. A little help?
What's up with the Dick Armey reference. I missed that. A little help?
'Copy-Proof' CDs Cracked with 99-Cent Marker Pen
Mon May 20, 1:14 PM ET
By Bernhard Warner, European Internet Correspondent
LONDON (Reuters) - Technology buffs have cracked music publishing giant Sony Music's elaborate disc copy-protection technology with a decidedly low-tech method: scribbling around the rim of a disk with a felt-tip marker.
Internet newsgroups have been circulating news of the discovery for the past week, and in typical newsgroup style, users have pilloried Sony for deploying "hi-tech" copy protection that can be defeated by paying a visit to a stationery store.
"I wonder what type of copy protection will come next?" one posting on alt.music.prince read. "Maybe they'll ban markers."
Sony did not immediately return calls seeking comment.
Major music labels, including Sony and Universal Music, have begun selling the "copy-proof" discs as a means of tackling the rampant spread of music piracy, which they claim is eating into sales.
The new technology aims to prevent consumers from copying, or "burning," music onto recordable CDs or onto their computer hard drives, which can then be shared with other users over file-sharing Internet services such as Kazaa or Morpheus MusicCity.
SONY AGGRESSIVE ANTI-PIRACY PUSH Monday, Reuters obtained an ordinary copy of Celine Dion (news - web sites)'s newest release "A New Day Has Come," which comes embedded with Sony's "Key2Audio" technology.
After an initial attempt to play the disc on a PC resulted in failure, the edge of the shiny side of the disc was blackened out with a felt tip marker. The second attempt with the marked-up CD played and copied to the hard drive without a hitch.
Internet postings claim that tape or even a sticky note can also be used to cover the security track, typically located on the outer rim of the disc. And there are suggestions that copy protection schemes used by other music labels can also be circumvented in a similar way.
Sony's proprietary technology, deployed on many recent releases, works by adding a track to the copy-protected disc that contains bogus data.
Because computer hard drives are programmed to read data files first, the computer will continuously try to play the bogus track first. It never gets to play the music tracks located elsewhere on the compact disc.
The effect is that the copy-protected disc will play on standard CD players but not on computer CD-ROM drives, some portable devices and even some car stereo systems.
Some Apple Macintosh (news - web sites) users have reported that playing the disc in the computer's CD drive causes the computer to crash. The cover of the copy-protected discs contain a warning that the album will not play on Macintoshes or other personal computers.
Apple has since posted a warning on its Web site at: kbase.info.apple.com/cgi-...KC.106882.
Sony Music Europe has taken the most aggressive anti-piracy stance in the business. Since last fall, the label has shipped more than 11 million copy-protected discs in Europe, with the largest proportion going to Germany, a market label executives claim is rife with illegal CD-burning.
By Bernhard Warner, European Internet Correspondent
LONDON (Reuters) - Technology buffs have cracked music publishing giant Sony Music's elaborate disc copy-protection technology with a decidedly low-tech method: scribbling around the rim of a disk with a felt-tip marker.
Internet newsgroups have been circulating news of the discovery for the past week, and in typical newsgroup style, users have pilloried Sony for deploying "hi-tech" copy protection that can be defeated by paying a visit to a stationery store.
"I wonder what type of copy protection will come next?" one posting on alt.music.prince read. "Maybe they'll ban markers."
Sony did not immediately return calls seeking comment.
Major music labels, including Sony and Universal Music, have begun selling the "copy-proof" discs as a means of tackling the rampant spread of music piracy, which they claim is eating into sales.
The new technology aims to prevent consumers from copying, or "burning," music onto recordable CDs or onto their computer hard drives, which can then be shared with other users over file-sharing Internet services such as Kazaa or Morpheus MusicCity.
SONY AGGRESSIVE ANTI-PIRACY PUSH Monday, Reuters obtained an ordinary copy of Celine Dion (news - web sites)'s newest release "A New Day Has Come," which comes embedded with Sony's "Key2Audio" technology.
After an initial attempt to play the disc on a PC resulted in failure, the edge of the shiny side of the disc was blackened out with a felt tip marker. The second attempt with the marked-up CD played and copied to the hard drive without a hitch.
Internet postings claim that tape or even a sticky note can also be used to cover the security track, typically located on the outer rim of the disc. And there are suggestions that copy protection schemes used by other music labels can also be circumvented in a similar way.
Sony's proprietary technology, deployed on many recent releases, works by adding a track to the copy-protected disc that contains bogus data.
Because computer hard drives are programmed to read data files first, the computer will continuously try to play the bogus track first. It never gets to play the music tracks located elsewhere on the compact disc.
The effect is that the copy-protected disc will play on standard CD players but not on computer CD-ROM drives, some portable devices and even some car stereo systems.
Some Apple Macintosh (news - web sites) users have reported that playing the disc in the computer's CD drive causes the computer to crash. The cover of the copy-protected discs contain a warning that the album will not play on Macintoshes or other personal computers.
Apple has since posted a warning on its Web site at: kbase.info.apple.com/cgi-...KC.106882.
Sony Music Europe has taken the most aggressive anti-piracy stance in the business. Since last fall, the label has shipped more than 11 million copy-protected discs in Europe, with the largest proportion going to Germany, a market label executives claim is rife with illegal CD-burning.
im proxying for john s. on this question. hes leaving for three weeks in europe on sunday. any restaurant selections for this itinerary? he thanks you in advance.
"Can you forward that I will be in Venice, Sienna, Florence, Random parts of Tuscany, Monaco, and London."
"Can you forward that I will be in Venice, Sienna, Florence, Random parts of Tuscany, Monaco, and London."
had some fab mussels at Le Zinc but had trouble finding anything fun to drink (but i am sure the wine list is "good")...Ubol's Kitchen had some great dishes but a couple were off, not sure if the new chef is as good as last or just getting going....another yummy meal at Al Di La, this is one of my favorite spots....a pasta at lunch at Felidia that melted in the mouth (swiss chard ravioli with a light creamy pesto sauce)...we finally made it to 5* Punjab, and we had a fine meal, people complain its inconsistant but our first try was good, clean...
So I’ve got this cat here. Polly the cat. I’m putting her up while Ruth & Nicholas are in Germany. Seems their other cats don’t tolerate her, but she’s been a model citizen here. We had cats when I was a kid, and I had my own, Kitty, for 17 years. She died four years ago, and I’ve been petless since. It’s good to have a cat around. This one is really sweet, with an even temperament. She does all those cat things: chases a toy; rolls on her back; sits in my lap purring. And sleeps a lot. It’s reassuring to see that cats are the same as ever. I’m not planning on getting one myself just now, (too little time, too little space, too much hair,) but somewhere down the road I see myself with another cat. Not Polly, though. She’s moving to Montana soon. Can’t integrate here, so she’s heading west to the RenHillWalls’. Probably a good deal for her.
My only problem is with her name. Everyone knows Polly is a bird’s name; this must be an embarrassment for a cat. So I’ve taken to calling her Poly, as in “many”. After all, the cat is a many-lived creature. Having been rescued from the street, she’s got to be on her second life, and heading for a third, so she’s a Polycat for sure. The names sound the same, so she’s not confused, and I hope this distinction will be observed in Montana. I’m sure you guys will love her out there.
Did I mention she sheds and claws the furniture?
My only problem is with her name. Everyone knows Polly is a bird’s name; this must be an embarrassment for a cat. So I’ve taken to calling her Poly, as in “many”. After all, the cat is a many-lived creature. Having been rescued from the street, she’s got to be on her second life, and heading for a third, so she’s a Polycat for sure. The names sound the same, so she’s not confused, and I hope this distinction will be observed in Montana. I’m sure you guys will love her out there.
Did I mention she sheds and claws the furniture?
Stephen Jay Gould, the evolutionary theorist at Harvard University whose lectures, research and prolific output of essays helped to reinvigorate the field of paleontology, died today at his home in Manhattan. He was 60 years old. The cause was adenocarcinoma, his wife, Rhonda Roland Schearer, said.
Audubon on view; catch the show, 'cause the website took up too much bandwidth.
ludology.org: videogame theory
I went to see Gary Wilson (front row center) last Wednesday at Joe's Pub and also caught a set recorded last tuesday for broadcasted on Scott William's show last night (Friday May 17th 8-10 pm) on 91.1 wfmu.
Check the above link to the archive for a relisten. He had one shoe on and one shoe off, flour on his face and black stuff on his lips, an oversized blazer with no shirt and two pairs of criss-crossing glasses / 3-D and regular cat style sunglasses. There were two sexy manacins
on stage that he rolled around with while a guy sprinkeled flour all over them and the stage. There was also a video moniter that showed old video proformances projects from the 70's of similar and even more over the top behavior (which is somthing else to look into). It was high proformance art with a brilliant musical aspect. His band back in the 70's was called The Blind Dates.
A google search on for GW and the BD's provides this solitary and pathetic account of them opening for the Tom Robinson Band back in the day:
"I still remember sitting in the theatre in the near dark waiting almost and hour for the opening act a horrible synthesizer band called Gary Wilson and the Blind Dates. They came out with flour sprinkled all over themselves and played with a dim blue light on. Very depressing. Finally they cleared off the stage and roadies hauled away their gear. More waiting."
A google search on for GW and the BD's provides this solitary and pathetic account of them opening for the Tom Robinson Band back in the day:
"I still remember sitting in the theatre in the near dark waiting almost and hour for the opening act a horrible synthesizer band called Gary Wilson and the Blind Dates. They came out with flour sprinkled all over themselves and played with a dim blue light on. Very depressing. Finally they cleared off the stage and roadies hauled away their gear. More waiting."
I've been working out by the lake (Ponchartrain). At the corner of Warbler and Warbler, you know, off of Warbler, past Swallow.
This year's Summerstage schedule.
I've seen some good shows here, though they can also be a pain if too crowded. You have to go early if you want a decent seat to see the stage from, but it can be pleasant to just sit on the grass outside and let the music mingle with the rest of the Park. Most shows are free, though goodies like Lucinda Williams are ticketed "benefits". Now they've even got "suggested donation" benefits, like a Paradise Garage 25th anniversary show. Looks like less hiphop and more techno this year. Beth Orton, Sonic Youth, Dave Brubeck, Conershop, more…
I've seen some good shows here, though they can also be a pain if too crowded. You have to go early if you want a decent seat to see the stage from, but it can be pleasant to just sit on the grass outside and let the music mingle with the rest of the Park. Most shows are free, though goodies like Lucinda Williams are ticketed "benefits". Now they've even got "suggested donation" benefits, like a Paradise Garage 25th anniversary show. Looks like less hiphop and more techno this year. Beth Orton, Sonic Youth, Dave Brubeck, Conershop, more…
I noticed in our park the day before yesterday, the arrival of grazing season for the squirels. Little tips (sometimes bigger tips) of tree branched littering the ground all over the area.
yossi lemel -- israeli poster artist
alias review in the nyt.
