funny and sad like the show it uses as a case study in employment law,
thats what she said unravels the business ethical snafus at dunder mifflin.
bettie pages pole dancing at the pearly gates.
High end
recession dining deals. Includes my fav Perry St. lunch deal, but *tons* of others. Damn. I think there are going to be lots of places going under at these prices.
FOR IMMEDIATE RELEASE
Jeff Krulik: Nuggets
Tuesday, January 6, 2008 at 7:30 pm
55 33rd Street, 3rd Floor
Brooklyn, New York
Aficionados of pop culture detritus know Jeff Krulik as co-director, with
John Heyn, of the legendary Heavy Metal Parking Lot, the definitive
fan-thropological study of drunken Judas Priest devotees cavorting outside
Maryland¹s now-defunct Capitol Centre arena in 1986. But true heads
acknowledge the Krulik as Washington DC¹s underground auteur of weird
Americana; his oeuvre of over fifty documentaries take on everything from
the secret history Lancelot Link, to a Congressional Librarian¹s gargantuan
porn collection, to the true tale of how Adolf Hitler¹s top hat ended up in
some guy¹s closet outside of Baltimore.
Light Industry kicks off 2009 by inviting Jeff up to New York to present
rarities and tidbits of hidden rock history culled from his personal archive
and current projects, including...
Heavy Metal Picnic: Created from a recently unearthed trove of fan-made
video, a look at what was going on in the Maryland suburbs a full year
before the genesis of Heavy Metal Parking Lot. ³This guy went to a big party
in a field with hundreds of metalheads without any police‹just a giant
bacchanalian party with local doom metal bands,² says Jeff. ³He took a
camera and a stolen mic from CBS News and basically made a home movie.²
Led Zeppelin Played Here: 1969 was the year Led Zeppelin broke, and their
first Washington area concert was a local youth center gymnasium on the
night of Richard Nixon's inauguration. Seeking out evidence for this
historic show, Led Zeppelin Played Here uncovers the truth behind the tall
tales of local rock lore.
Ambassador Theater Psychdedelic Memories: An oral history of the Ambassador
Theater, Washington, DC's psychedelic concert and dance hall, which opened
in the Summer of 1967. It didn't last long, but its short memorable run
included five straight nights of Jimi Hendrix for $2 admission, the Hollies,
Moby Grape and a drunken rant by Norman Mailer.
Plus, other surprises to pepper the evening. According to Jeff, he¹ll also
have Heavy Metal Parking Lot cued up if people really want to watch it
again.
Followed by a discussion between Krulik and critic Michael Azerrad, author
of Our Band Could Be Your Life: Scenes from the American Indie Underground
1981-1991.
Tickets - $7, available at door.
About Light Industry
Light Industry is a new venue for film and electronic art in Brooklyn, New
York. Developed and overseen by Thomas Beard and Ed Halter, the project has
begun as a series of weekly events at Industry City in Sunset Park, each
organized by a different artist, critic, or curator. Conceptually, Light
Industry draws equal inspiration from the long history of alternative art
spaces in New York as well its storied tradition of cinematheques and other
intrepid film exhibitors. Through a regular program of screenings,
performances, and lectures, its goal is to explore new models for the
Presentation of time-based media and foster an ongoing dialogue amongst a
wide range of artists and audiences within the city.
About Industry City
Industry City, an industrial complex in Sunset Park, Brooklyn, is home to a
cross-section of manufacturing, warehousing and light industry. As part of a
regeneration program intended to diversify the use of its 6 million square
feet of space to better reflect 21st century production, Industry City now
includes workspace for artists. In addition to offering studios at
competitive rates, Industry City also provides a limited number of
rent-stabilized studios for artists in need of low-cost rental space. This
program was conceived in response to the lack of affordable workspace for
artists in New York City and aims to establish a new paradigm for industrial
redevelopment--one that does not displace artists, workers, local residents
or industry but instead builds a sustainable community in a context that
integrates cultural and industrial production.
wsj opinion page inaugurates their obama frowny face stock photo. but considering the author of the piece is john fund this article is reasonably thoughtful and measured.
21st century atlas of world architecture
Will Ferrell plays Alec Gert, an egotistical, obnoxious bocce player at the top of his profession. He and his sidekick, played by Chris Parnell, seem invincible until their dominance is threatened by a new rival. Alec Gert's excessive pride causes him to spiral downward to comical lows. When he is at the depths of despair, he removes his shirt and bellows, Praise Delilah. My tower is a galloping trapeze!
After a wacky training process featuring a surprise cameo by Owen Wilson and a marginally-developed romantic subplot, he enters into a climactic showdown with his rival and emerges victorious - but not without learning a thing or two about friendship.
Indeed, watching her lecture for an hour without once referring to a specific work of art while combing through the rebus of her career made me think of Smith as Papillion as memorably portrayed by Steve McQueen: bars, tests, drudgery and deprivation cannot contain her.
[...]
As to her own distinguished work, Roberta is both humble and jejune, saying that "she doesn’t mind being a consumer guide for art" and that art criticism itself is "pure, strange and peculiar." Hard to imagine, considering the unique power that Leo Castelli famously claimed for her ("all you have to do is read Roberta Smith on Friday morning to know what shows to see"), but Roberta maintains that dealers often say to her, "Why don’t you just review shows that you like?", to which she confesses to enjoying writing negative reviews as much as raves (here! here!).
ha ha. dead link. "this video removed by user." got to be a damned good reason.